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Electric Colour Company were intent on enlivening the visual landscape of grey London town by desecrating polite notions of decor and good taste My feature on the pioneering but sorely undervalued design studio Electric Colour Company appears in the current issue of UK GQ Style.
Thanks to Pace London for providing scans of the showcard for Derek Boshier’s spring 1965 exhibition at Robert Fraser Gallery in Mayfair’s Duke Street.
I have just filed a piece for GQ about Granny Takes A Trip and the branches of the King’s Road boutique which opened in the 70s in Manhattan and Hollywood under the stewardship of the late Freddie Hornik. The feature also scrutinises the scrapbook Hornik maintained from the mid-60s, when he worked at the rival […]
Derek Boshier’s 1966 work Sam Spade is given prominence in A Strong Sweet Smell Of Incense, the exhibition dedicated to the connoisseurship of the late art dealer Robert Fraser. Boshier was a client until he foreswore painting for a decade or more in 1968. This was a particularly difficult period for Fraser, who was jailed […]
I highly recommend John Pidgeon’s blog; Pidgeon is another of those unpindownable figures in the cultural landscape. His considerable talents have been expressed from music journalism and magazine publishing through roadie-ing for The Faces and composing songs with their recently departed and already much missed keyboard maestro Ian McLagan to commissioning stunning design work from Barney […]
John “Hoppy” Hopkins – who died yesterday aged 77 – was the photographer and activist best known for his associations with London’s counterculture of the 1960s and 70s, having been a founder of the radical London Free School which in turn led to the Notting Hill Carnival, a contributor to the pacifist paper Peace News, […]
Interior Design: Dead Or Alive is the title of the symposium being organised by the prominent British designer Ben Kelly at London’s Institute Of Contemporary Arts on March 14. I am a contributing speaker alongside writer/curator Michael Bracewell, designers Fred Deakin, Ed Barber & Jay Osgerby and Peter Saville, artists Lucy McKenzie and Bridget Smith […]
“More than anyone, Malcolm McLaren bursts the definitions as to what exactly constitutes an artist.” Yves Aupetitallot, curator at Magasin, the Centre National d’Art Contemporain, in the introduction to Art In Pop Due to popular demand, the run of Art In Pop – the French exhibition about the intermingling of artistic practice with popular music […]
The ‘Connie’ cardigan was an essential element of dress for Sharpies, the tough and stylish Australian music/fashion youth subculture active in Melbourne’s blue collar suburbs from the 60s to the early 80s. Designed by a Mr Conti, a Greek clothier in the Thornbury neighbourhood to the north of the city, Connies were picked up on […]
Rolling Stone’s obituary description of Ian McLagan as “jovial and charismatic” has nailed the character of this charming man. It seems to me that Mac chose to accentuate the positive and keep playing his vital music, an admirable trait in one who had often been dealt an unfair hand by the fates (not least when […]