Christie’s homes in on collectible Granny Takes A Trip suits first featured on The Look blog in 2008

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//From the catalogue for Christie’s Pop Culture auction, June 20,2014//

Six years ago on The Look blog I posted images and memories supplied by Terry Slobodzian, who ran boutiques Explosion and Lacy Lady in the upstate New York town of North Tonawanda in the late 60s and early 70s.

Such shops as Slobodzian’s and The People’s Space (run by Tommy Hilfiger in the neighbouring Emira) were part of a regional US trend for wild and usually wildly-named clothing stores sparked by eccentric retail ventures such as Granny Takes A Trip in England.

As I discovered through contact with vintage dealer/expert Ben Cooney, these are the places who showed at the National Boutique Show in NYC and broadcast their wares from the back pages of Baron Wolman’s fashion/music mag Rags: A Long Time Comin’ in San Anselmo, The Bead Experience in Baltimore, The Great Linoleum Clothing Experiment in LA, Bouncing Bertha’s Banana Blanket and Jenny Waterbags in New York, Mom’s Apple Grave in San Francisco…you get the picture.

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//From The Look blog, December 2008//

Granny’s occupied a totemic status for the people who operated these outlets; Slobodzian visited London on a buying spree in 1970 and naturally dropped in at 488 King’s Road. “What a trip it was,” he told me in 2008.“Every piece fit like a glove right off the rack. The craftmanship and choice of fabric was amazing.”

Now Slobodzian’s Granny’s suits as featured on The Look blog are in this Friday’s Pop Culture sale at Christie’s along with two shirts from Bouncing Bertha’s Banana Blanket.

Here’s Rod Stewart in the same paneled velvet suit design as Lot 55 in the sale:

Read The Look post here.

Find out more about the Pop Culture sale here.

Cassandra Tondro has uploaded pages from Rags Magazine here.

Magick Is Freedom! (After Barney Bubbles) opens in London this week

magickSHOWwebx_0 When I first saw it I was questioning a lot of things, not least my adequacy. Things like inspiration, influences, references . . . where do things come from? Copying things—not as “homage'”or “pastiche”, but dying to get inside a thing. Inhabit it. Nostalgia too. Using machines. Colour. Systems. Perpetual motion. Automatism. Copying things. Graham Wood on Existence Is Unhappiness.

This week sees the London opening of Magick Is Freedom! (After Barney Bubbles), an exhibition of the series of prints made by designer Graham Wood in response to Existence Is Unhappiness, the fold-out poster for the 12th issue of underground magazine Oz published in May 1968 and designed by Barney Bubbles with Sid Squeak and others.

Continue reading Magick Is Freedom! (After Barney Bubbles) opens in London this week

I Knew Jim Knew: Jim Walrod knows a thing or two…

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//Jacket photograph Terry Richardson with shots from Walrod’s Instagram feed//

Design authority Jim Walrod wears a deep and wide-ranging understanding of his subject – specifically that pertaining to modernism in furniture, interiors, product design and architecture  – lightly.

This is refreshing in a field populated by bloodless experts and humourless know-alls. The founder of important 90s/00s store Form & Function, Walrod –  described as “the ultimate design raconteur” by André Balazs and “the furniture pimp” by the Beastie Boys – is above all an enthusiast.

Continue reading I Knew Jim Knew: Jim Walrod knows a thing or two…

Guest post: Peter Knock pays tribute to Robyn Denny (1930-2014)

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//Robyn Denny, early 60s. Photo: Bernard Jacobson Gallery//

Artist/illustrator Peter Knock pays tribute to the British ‘Situation’ painter Robyn Denny, who has died:

Sad to learn of the death of abstract painter Robyn Denny last Tuesday (May 20).  It surprised me that he was, in fact, 83; my image of him is locked into the 60s when he was one of the hip and talented artists to have emerged from the Royal College of Art (where he studied in the 50s).

Great Big Biggest Wide London, Denny’s mural for Austin Reed’s Regent Street store, conveyed classic 1960s new age optimism, and received the ultimate seal of approval as a piece defining of its era when The Beatles asked to be photographed standing in front of it in 1963.

Continue reading Guest post: Peter Knock pays tribute to Robyn Denny (1930-2014)

Marisol’s Love + David Parkinson’s image of Mona Solomons with SEX ankle boot

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//Left: Love, 1962, Marisol. Plaster and glass (Coca-Cola bottle), 6 1/4 x 4 1/8 x 8 1/8″, MoMA. Right: From I Get A Kick Out Of You, David Parkinson, Club International, 1975//

A disturbing David Parkinson image from a mid-70s fashion shoot for British porn magazine Club International puts me in mind of the  early 60s sculpture Love by the artist Marisol.

Continue reading Marisol’s Love + David Parkinson’s image of Mona Solomons with SEX ankle boot

Derek Boshier in Pop Go The Women: The Other Story Of Pop Art

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//”She was an instigator and an enabler.” Boshier discusses Pauline Boty in Pop Go The Women//

Catch if you can Alistair Sooke’s excellent BBC documentary Pop Go The Women: The Other Story Of Pop Art. Derek Boshier – subject of my next book – is among the interviewees, talking about his contemporary Pauline Boty.

Her work, like the other subjects of the programme, has been neglected in the circumscribed narrative of Pop. In Boshier’s words, Boty is important, not least because she was “an instigator and an enabler” to the male artists who hog the story on both sides of the Atlantic.

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//Boshier and Boty captured twisting in Ken Russell’s 1962 BBC documentary Pop Goes The Easel//
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//Rosalyn Drexler. In the background her 1967 painting Marilyn Pursued by Death//

The film’s revelation for me is the American Rosalyn Drexler, whose art is identified convincingly by Sooke as “scathing, critical, strong and stern”. Pop Go The Women is available to view on BBC iPlayer for the next five days here.

Derek Boshier: Rethink/Re-Entry is published by Thames & Hudson next spring.

Jim French BC: Before Colt (+ before the SEX shop Naked Cowboys)

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//Johnny Cash by Jim French//

Prior to Jim French launching his homoerotic imprint Colt Studios, the venerable American illustrator and photographer made his bones on Madison Avenue in the 1950s and 60s producing work for such clients as Columbia Records and scarf and handkerchief designer Tammis Keefe.

Now a selection of French’s artworks from this period are going on display in an exhibition at Palm Springs gallery Nat Reed.

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//Frank Sinatra for Columbia Record Club, Jim French//
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//Textile design for Tammis Keefe, Jim French//

Continue reading Jim French BC: Before Colt (+ before the SEX shop Naked Cowboys)