British design media outlet Creative Review has reported on the publication of A Box Of Bubbles, the forthcoming limited edition boxed and enhanced edition of the new monograph The Wild World Of Barney Bubbles.
Continue reading Creative Review celebrates A Box Of Bubbles
“In graphics, in the music business at least, Barney pioneered the use of everyday objects in his work. He could see the design and the beauty in the apparently banal”
Suzanne Spiro, artist
The Barney Bubbles exhibition Optics & Semantics at London gallery Rob Tufnell closes tomorrow evening; if you have a chance, do go along and enjoy the late graphic arts maestro’s unique celebrations of the mundane and workaday.
I’ve dug into collector and graphic artist Ian Harris’s rich archive again and turned up a brace of t-shirts he designed in the late 70s for Jasper, the eponymous London-based fashion label operated by entrepreneur Jasper Hamilton Holmes from showrooms in central London.
Continue reading Jasper: Memories of the London fashion label and a Barney Bubbles connection
Stiff Records was on fire in 1977.
The British independent record label, with owners Jake Riviera and Dave Robinson snapping up acts and art director Barney Bubbles applying his unsurpassable skills to the visualising of their music, came straight out of the traps 40 years ago this month with the release of the first ‘punk’ LP Damned Damned Damned by – who else? – The Damned.
Continue reading The Stiff Records clock: When You Kill Time You Murder Success
Music fan and pop ephemera collector Mike Hobday is realising a long-held ambition this weekend with a show of designs by the late graphic artist Barney Bubbles at The White Room Gallery in Leamington Spa, Warwickshire.
This company letterhead was designed by the late graphics master Barney Bubbles for music entrepreneur Jake Riviera during the latter’s tenure at 60 Parker Street in London’s Covent Garden in the late 70s.
Continue reading Barney Bubbles’ cube letterhead design for Riviera Global Record Productions
This is the sleeve designed by Barney Bubbles – would have been 71 today – for Screwed Up, the 1977 EP by the rabble-rousing writer and performer Mick Farren, who died at the weekend after collapsing onstage during a performance with his band The Deviants of their poem/song Cocaine & Gunpowder.
Next month sees the opening of an exhibition of 53 collages tracking the fortunes of West Ham United FC over a season; they are all the product of expat football fan and music industry maverick Kosmo Vinyl.
The show’s title, Is Saitch Yer Daddy, is taken from 60s graffito adorning a wall near West Ham’s home ground. Residency in New York for many years hasn’t dampened the ardour for The Hammers of this figure who played key promotional and managerial roles for Graham Parker, Stiff Records, Ian Dury and The Clash.
Continue reading Is Saitch Yer Daddy: Collages by Kosmo Vinyl
If you’re in Austin TX – and there’s a chance you might be since hundreds of thousands of people have descended on the city for the annual SXSW film/music/interactive conflab taking place there this week – try and nip along to the Ray Ban Legendary Visions house at 78 Rainey Street on the eastside for a gander at the room collages/installations I have engineered to reflect my take on the look of music.
Ian Dury sent this letter to Roberta Bayley in May 1977.
As the late songsmith’s biographer Will Birch explains here, Dury was just a few months away from achieving nationwide fame.
