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Wyndham Lewis’ 1914 publication Blast 1 is the daddy of the modern aesthetic manifesto. It’s also a Modernist objet d’art. Iconoclastic and satiric, at times inchoate and irrational, Blast’s aim was to establish Vorticism‘s endorsement of the machine age and and simultaneous disavowal of the stultifying Romantic legacy of the Victorian era.
SEX became a magical place. People spent hours there; no one wanted to leave. In it, I created a feeling that was both euphoric and hysterical. You felt an enormous range of possibilities – that whatever was happening couldn’t be predicted, but it was a movement toward a place unknown. Malcolm McLaren, Musical Paintings [JRP […]
Year-ends and beginnings naturally bring a sense of loss, of time passed and experiences weighed. For me, 2010 will always mark the deaths of two individuals of personal import and also of lasting significance to our culture: Charlie Gillett and Malcolm McLaren. These apparently disparate individuals – Gillett 68 and McLaren 64 at their time […]
These are exterior shots of the incarnations of 430 King’s Road since the early 60s.