Eyes For Blowing Up Bridges: Opening a great success
The opening of new exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren at the weekend was a great success.
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The opening of new exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren at the weekend was a great success.
Eyes For Blowing Up Bridges* is the title of the forthcoming exhibition about the creative interplay between a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of post-war alternatives.
I’ve been aware of the existence of the Kensington boutique Roxy for some time, particularly since the store name was used as the title of the feature on London street fashion in a 1972 edition of Japanese magazine An An. But my curiosity was pricked recently while browsing that same issue of An An which […]
My 2011 post unraveling the threads running through the notorious Naked Cowboys punk t-shirt has itself inspired a new shirt. The Cowboys t-shirt was designed by Malcolm McLaren in 1975 for sale in SEX, the shop he ran with Vivienne Westwood at 430 King’s Road in London’s World’s End. Popular with punks and worn by […]
A few years back I wrote a series of blogs about the so-called “Wild Thing” jacket worn by Iggy Pop on the cover of his and The Stooges’ album Raw Power; in 2008 I had brokered a deal for the jacket designers John and Molly Dove to reissue a t-shirt range – including a version […]
The Lewis Leathers shop in Whitfield Street W1 was the venue of the launch of The Look Of London map collaboration with Herb Lester Associates.
MY SPECULATION HERE SPARKED A TRAIL TO THE TRUE SOURCE OF THE MAIN IMAGE: THE ARTIST/PHOTOGRAPHER JIM FRENCH, WHO DREW THE COWBOYS FOR A SERIES CALLED LONGHORNS IN 1969 (SEE LINK AT END OF THIS POST). The late Malcolm McLaren said he could never remember the origins of one of the most potent designs to […]
This composition of images by Derek Harris from Christopher Gray’s Situationist text Leaving The 20th Century makes plain the significance of the visual vocabulary of the 60s anarchist movement on punk in general and Malcolm McLaren & Vivienne Westwood’s Anarchy Shirt in particular.
My investigation into the multifarious strands which fed into the creation of the 1974 t-shirt You’re Gonna Wake Up has, in turn, ignited a convincing set of new theories about the genesis of another “manifesto” design, Malcolm McLaren and Vivienne Westwood’s so-called Anarchy Shirt.