Paul Gorman

Chris Salewicz

Malcolm McLaren: Ten years after

//The post featured a grab of Pennie Smith’s portrait for Nick Kent’s The Politics Of Flash article in an April 1974 issue of the NME//

Ten years ago I posted this on The Look blog upon returning home from a gathering at London gallery Chelsea Space.

The venue was fitting; Chelsea Space is within the grounds of Chelsea College of Arts which was in Manresa Street off the King’s Road until a few years back. This was among the arts institutions attended by the student painter Malcolm Edwards in and around London in the 1960s.

Our friend the writer Chris Salewicz broke the news; among the company was guitarist Mick Jones, whose life, like many of us, had been improved by connection with McLaren.

Naturally, Jones expressed sorrow, and his immediate response to the news of McLaren’s passing struck me hard. ‘We’ll never hear Malcolm’s latest thoughts again,’ said Jones. ‘All those brilliant, wild ideas which seemed to pour out of him on a daily basis, that’s over. And that’s really sad.’

In conversation with Chris Salewicz about the early days of The Face at Bookseller Crow on Tuesday

//John Lydon. From The Face issue 8, December 1980. Photo: Sheila Rock//
//Grace Jones. From The Face issue 6, October 1980. Main photo: Jill Furmanovsky//
//Divine. From The Face issue 9, January 1981. Photo: Sheila Rock//

Here’s a selection of articles for early issues of The Face by veteran music journalist/author (and my old mucker) Chris Salewicz to mark the fact that he and I will be in conversation about my new book The Story Of The Face at leading south London independent bookshop Bookseller Crow on Tuesday evening (November 28).

Continue reading In conversation with Chris Salewicz about the early days of The Face at Bookseller Crow on Tuesday

Blokes Of Britain: Chris Salewicz

//Author image for US edition of Bob Marley: The Untold Story, 2009. Photo: Grzegorz Lepiarz.//

NAME: Chris Salewicz

RESIDES: London

OCCUPATION: Writer

Chris Salewicz is a neighbour and friend. My admiration for his work harks back more than three decades, when his words shone from the pages of the NME.

As detailed by In Their Own Write, this was no mean feat since Salewicz was part of the formidable team whose members included (deep breath): Max Bell, Angie Errigo, Pete Erskine, Mick Farren, Chrissie Hynde, Nick Kent, Nick Logan, Ian MacDonald, Kate Phillips, Charles Shaar Murray, Neil Spencer, Tony Tyler…

Now Salewicz deals in big subjects as an author, broadcaster and film-maker: his Strummer and Marley books capture the definitive portraits of these imposing figures, while involvement in such ventures as the documentary Beats Of Freedom denotes a mature reflection on his Polish roots.

In addition, Salewicz’s role as an aide-de-camp in Mick Jones’ ongoing Rock & Roll Public Library project betrays the highly attuned visual sensibilities conveyed in these, his answers to the Blokes Of Britain Questionnaire:

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Sex Pistols: The very first media mention

//From a review of the Queen Elizabeth College All Night Christmas Ball by Kate Phillips, New Musical Express, December 27, 1975.//

This is something of an exclusive.

Not published in the 36 years since appearing in the issue of the New Musical Express dated December 27, 1975, this is the very first media mention of the Sex Pistols (just seven weeks after their live debut).

These sentences were written by NME staffer Kate Phillips in her review of the All Night Christmas Ball on November 27 1975 at Queen Elizabeth College (then in Campden Hill, Kensington, west London).

Continue reading Sex Pistols: The very first media mention