The Story Of The Face in British GQ
Out today, the November 2017 issue of British GQ includes a 10-page feature on my forthcoming book The Story Of The Face: The Magazine That Changed Culture.
Press Enter to Search or ESC to Close
Out today, the November 2017 issue of British GQ includes a 10-page feature on my forthcoming book The Story Of The Face: The Magazine That Changed Culture.
This is a terrible week for those of us interested in the accumulation of knowledge and expertise surrounding design, music and popular culture. I was settling in to write an obituary for New York design hero Jim Walrod when news came through last night that British sneaker guru Gary Warnett – a similarly irreplaceable figure […]
** This post is dedicated to the New York design thinker and doer Jim Walrod, who has passed away. Just a couple of weeks ago I mentioned my intention to post about On 1st to Jim over dinner. Of course, he knew about the store but was excited to see what fresh info I might […]
This is the front of the jacket of my new book The Story Of The Face: The Magazine That Changed Culture, which is published by Thames & Hudson this autumn.
I’m grateful to Stian Brekke for sending me a link to his site hipgnosiscovers.com for these arresting pages from a 1976 issue of US men’s magazine Club, launched as the sister publication the British Club International the previous year.
When innovatory British men’s magazine Club International was launched in 1972, editor Tony Power and art director Steve Ridgeway assembled a diverse pool of contributors, including jazzer, art critic and cultural commentator George Melly, the Stately Homo Quentin Crisp, Rocky Horror Show founder Richard O’Brien, former White Panther Mick Farren, photographers David Parkinson, Mick Rock and […]
Images of the novelty t-shirt designs détourned by the late Malcolm McLaren for sale in Seditionaries in 1978 are rare, which is why this shot of Apollonia Van Ravenstein and Ara Gallant from a spread in a late 70s issue of L’Uomo Vogue is extra special.
Jane England’s Turn And Face The Strange is a valuable addition to the documentation of the social and cultural churn occurring at the edges of society in the 1970s.
As punk expert/collector and design academic Paul Burgess notes, references to 430 King’s Road turn up in the most surprising places. So thanks to him for notifying me about this photograph of the coolest address in pop culture – and in particular the tiger stripe-flocked Ford Mustang which adorned the street outside during the Paradise Garage phase […]
Here is a selection of amazing images featured in new exhibition North: Identity, Photography, Fashion, which is open to the public from today at Liverpool’s Open Eye Gallery.