RIP Gary Warnett, streetwear guru and sneaker supremo

//Warnett in his element. Photo: Hypebeast, to which he was a regular contributor//

This is a terrible week for those of us interested in the accumulation of knowledge and expertise surrounding design, music and popular culture.

I was settling in to write an obituary for New York design hero Jim Walrod when news came through last night that British sneaker guru Gary Warnett – a similarly irreplaceable figure – had also unexpectedly died.

Warnett was 39; the cause was attributed to complications arising from pneumonia.

The former content editor for label Crooked Tongues, Warnett was a streetwear obsessive who worked with the world’s biggest brands. Still he found the time to pursue a wide array of interests as evinced by his excellent Gwarizm/Still Lameaphobic site.

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For Jim Walrod – ‘Decoration is the danger, function is the idea’: The On 1st experiment in conceptual art retailing

** This post is dedicated to the New York design thinker and doer Jim Walrod, who has passed away. Just a couple of weeks ago I mentioned my intention to post about On 1st to Jim over dinner. Of course, he knew about the store but was excited to see what fresh info I might have turned up. I’ll write about Jim when I have collected my thoughts; wherever he is, I am sure Jim will join us all in the necessary proclamation: Fuck Trump**

//At the entrance to 1159 1st Avenue at 63rd was Sven Lukin’s two-tonne illuminated sign. Photo: Bert Stern//
//On 1st interior including displays of Roy Lichtenstein wallpaper and Gerald Laing plates. Photo: Bert Stern//

In conversation this summer, British artist Duggie Fields revealed to me that, during a sojourn in the US in 1968, he had been in line to work at photographer Bert Stern’s “architecturally mind-blowing” art store/publishing house On 1st in Manhattan’s east side.

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Phallic Metallics: Erotic jewellery shoot by Hipgnosis for Club magazine 1976

//Jewellery by Gayle Saunders and Stanley Rosenberg. Photography/art direction: Hipgnosis. From Phallic Metallics, Club, May 1976//

I’m grateful to Stian Brekke for sending me a link to his site hipgnosiscovers.com for these arresting pages from a 1976 issue of US men’s magazine Club, launched as the sister publication the British Club International the previous year.

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Audacious early 70s Hipgnosis fashion shoots for Club International


When innovatory British men’s magazine Club International was launched in 1972, editor Tony Power and art director Steve Ridgeway assembled a diverse pool of contributors, including jazzer, art critic and cultural commentator George Melly, the Stately Homo Quentin Crisp, Rocky Horror Show founder Richard O’Brien, former White Panther Mick Farren, photographers David Parkinson, Mick Rock and Karl Stoecker, illustrators Bush Hollyhead and Brian Grimwood and the design studio Hipgnosis.

//Casual trousers £9.50 from Mr Freedom; satin waistcoat £12 from Chris at Hidegrade; Bobbysoxer Boots £12.75 by Daisy Roots from Way In. From Club International Vol 1 No 3, 1972//
//Prince of Wales Oxford bags £4.95 from Take 6; Hollywood Funsters £12.25 by Daisy Roots from Way In. From Club International Vol 1 No 3, 1972//

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Apollonia Van Ravenstein + Ara Gallant in originals of Seditionaries Mickey & Minnie and Exposé t-shirts

//Van Ravenstein with Gallant (wearing his trademark Japanese schoolboy’s cap adorned with gold charms). From photo by Francis Ing//

Images of the novelty t-shirt designs détourned by the late Malcolm McLaren for sale in Seditionaries in 1978 are rare, which is why this shot of Apollonia Van Ravenstein and Ara Gallant from a spread in a late 70s issue of L’Uomo Vogue is extra special.

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Lives less ordinary: Jane England’s Turn And Face The Strange documents 70s cultural and social churn

//British street style legend Paul Beecham in Battersea, south London, 1974//
//Jasper Havoc (Peter McMahon, 1953-1979), a member of the Sydney performance troupe Sylvia and the Synthetics, in Ladbroke Grove, west London, in 1977 and on the front of England’s book//

Jane England’s Turn And Face The Strange is a valuable addition to the documentation of the social and cultural churn occurring at the edges of society in the 1970s.

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The Paradise Garage Mustang pops up in mid-70s early learning book

//Outside Paradise Garage, 430 King’s Road, GW Hales, 1971//

As punk expert/collector and design academic Paul Burgess notes, references to 430 King’s Road turn up in the most surprising places.

So thanks to him for notifying me about this photograph of the coolest address in pop culture – and in particular the tiger stripe-flocked Ford Mustang which adorned the street outside during the Paradise Garage phase – in a 1976 light educational book for young children.

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Identity, Photography, Fashion: Images from new exhibition North

//From the series Skelmersdale, 1984. Photograph by Stephen McCoy//
//Derrin Crawford & Demi-Leigh Cruickshank, The Liver Birds, LOVE, 2012. Photograph by Alice Hawkins//
//Raf Simons menswear Autumn Winter 2003, Paris Menswear Fashion Week. Copyright Catwalking.com//

Here is a selection of amazing images featured in new exhibition North: Identity, Photography, Fashion, which is open to the public from today at Liverpool’s Open Eye Gallery.

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