For the first time in 36 years the whole article: Forum June 1976 featuring SEX + Incognito Leather

//Photo detail (from left): SEX customers Danielle, Alan Jones + Chrissie Hynde; Vivienne Westwood; assistant Jordan.//

As a follow-up to my recent post about the rarely seen 1975 interview with Malcolm McLaren in soft porn mag Gallery International, here is another exclusive: for the first time since publication in June 1976, the full article featuring McLaren and Vivienne Westwood’s shop SEX in British sex guide Forum.

Continue reading For the first time in 36 years the whole article: Forum June 1976 featuring SEX + Incognito Leather

Photography: Baron Wolman + The Groupies

//Trixie Merkin, 1968. Photo: Baron Wolman.//

My appreciation for the visual culture surrounding popular music was given a leg-up at an early age by a Christmas 1973 gift: Rolling Stone‘s photography compendium Shooting Stars.

Edited by Annie Leibovitz, Shooting Stars lined up a number of the magazine’s photographic contributors who had recorded the American rock music scene in its pomp.

//Front cover, Shooting Stars, Straight Arrow Books, 1973.//

Continue reading Photography: Baron Wolman + The Groupies

‘Because of the economic crisis, people are trying to consume as fast as possible. Ideas are dead; there aren’t any to express the mood. Fashion is irrelevant’: Malcolm McLaren + SEX, November 1975

//Sex assistant Jordan, Gallery International, Vol 1, no 4.//

It’s unlikely that cities will shake or nations start to rock under the impact of Malcolm McLaren’s sexual revolution. A few people might die though.

Malcolm McLaren, at 30, is a mixture of entrepreneurial cultist, sexual evangelist, businessman, artist, fetishist and political philosopher; a psychotic visionary in the ephemeral subculture of the fashion world.

David May, Gallery International Vol 1 no 4.

In November 1975 – by which time his charges the Sex Pistols had just embarked on live performances – Malcolm McLaren was interviewed by journalist David May at 430 King’s Road, then in full bloom as radical retail venture SEX.

Continue reading ‘Because of the economic crisis, people are trying to consume as fast as possible. Ideas are dead; there aren’t any to express the mood. Fashion is irrelevant’: Malcolm McLaren + SEX, November 1975

Beatbooks 61: Communal, alternative and psychedelic living; Peyote; Hippies; Music; Psychedelic & Underground Art; Sixties London; Underground Press

//Cover, Beatbooks 61, from Martin Sharp's design for Oz no. 3 (May 1967).//

The new Beatbooks catalogue lines up the seminal alongside the obscure, from complete sets of Oz, Ink, Gandalf’s Garden and Suck magazines and Time’s “Swinging London” cover story to Robert E. Brown’s The Psychedelic Guide To Preparation Of The Eucharist, LIFE’s July 1969 study of US communes and a rare poster for the Psycho Circus at the Roundhouse in 1967 in support of the Vietnam Solidarity Campaign.
Continue reading Beatbooks 61: Communal, alternative and psychedelic living; Peyote; Hippies; Music; Psychedelic & Underground Art; Sixties London; Underground Press

Rough Kids, Sex Pistols + Art School Babies: Tommy Roberts in the final issue of The Word

//Pages 108-111, The Word, August 2012.//

Out later this week, the final issue of The Word marks a significant staging post in the story of magazine publishing in the digital age.

Champions of the written word and intelligent discourse about popular culture, the editorial team headed by veteran double-act Mark Ellen and David Hepworth have assembled a fine last edition in which I’m stoked to be included, with an extract from Mr Freedom about Tommy Roberts’ involvement in the mid-70s British music scene (including never-previously revealed details of Roberts’ loaning of rehearsal space to the nascent Sex Pistols, the burglary of his shop City Lights Studio by members of the group and Malcolm McLaren’s interest in managing Ian Dury).

Continue reading Rough Kids, Sex Pistols + Art School Babies: Tommy Roberts in the final issue of The Word