The idea is to show in clothes and music that, in the post-industrial age, the roots of our culture lie in primitive societies.
Malcolm McLaren on Nostalgia Of Mud and Duck Rock, 1983
Thanks to Hiroshi Fujiwara for tipping the wink over one of the sources of visual inspiration fed by Malcolm McLaren into the concepts unified by his solo album Duck Rock, the central London clothing store Nostalgia Of Mud and the fashion collections he designed with Vivienne Westwood in 1982-3.
One of the cues for Duck Rock’s investigations into music from all over the world was the series of recordings by enthnological music archivists Ronnie and Stu Lipner released on Folkways Records in the late 50s under the banner Dances Of The World’s Peoples. And McLaren’s appropriation of the naive cover art by W. Johnson – in particular the striking witchdoctor figure – found new form in design collaborations with Westwood, graphics supremo Nick Egan and artist Keith Haring.
McLaren’s brilliance at fusing disparate elements into culture-defining and dazzling artworks is being celebrated next week with the exhibition Let It Rock: The Look Of Music The Sound Of Fashion at the Crystal Hall in Copenhagen’s Bella Center.
The show – which runs from August 3-6 during Copenhagen Fashion Week – will incorporate hundreds of exhibits, many rare and never previously shown to the public, including clothing and objects featured here such as the Witches top, the show cards and original copies of the Dances Of The World’s Peoples LP and catalogue.
Read more here.
