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There was quite a crowd at last night’s vernissage to launch Art In Pop, the exhibition at Magasin – Grenoble’s Centre National d’Art Contemporain. This features exhibits by those working at the cross-hatches of popular music and artistic practice, including John Armleder, Alix Lambert, John Miller, Genesis Breyer P. Orridge, Mayo Thompson, Don Van Vliet, […]
As demonstrated by these photographs taken today by Eric Pourcel, head of production at Magasin, France’s Centre National d’Art Contemporain in Grenoble, the Malcolm McLaren room at group show Art In Pop is really coming together ahead of next week’s opening. Art In Pop is curated by Magasin’s Yves Aupetitallot with John Armleder, Young Kim […]
The installation of the ambitious new group exhibition Art In Pop is underway at France’s Centre National d’Art Contemporain, the Magasin gallery in Grenoble. Malcolm McLaren’s visual works, from student paintings through his experiments in fashion design, boutique environments, music and film to the installations of his final years, will be shown alongside art by […]
‘Black is the most exciting colour’ (Goya). Black when used in different ways appears the most infinite and mysterious, the most spatial and loose. Malcolm McLaren, essay for course at Croydon Art School, 1967 It’s exciting. Work is underway on building the Art In Pop group exhibition which opens next month at Le Magasin, France’s […]
Preparations are well underway for the next phase of the Malcolm McLaren exhibition: a room dedicated to the late cultural iconoclast’s work as a visual artist at group show Art In Pop, which opens next month at France’s National Centre Of Contemporary Art space Magasin in Grenoble. Art In Pop will also feature rooms dedicated […]
Paris, Capital of the XXIst Century is a personal and subjective journey that began firstly by ambling through a century’s archive of thousands of cinema commercials about the city (its inhabitants, what it sells, how it looks…), secondly by gathering impressions (choosing what to exploit, covet and keep), jotting them down only when I returned […]
In her review this weekend of TJ Clark’s new book Picasso And Truth: From Cubism To Guernica, Financial Times art critic Jackie Wullschlager writes about how meaninglessness replaced absolute truth in the 20th century epoch of terror and totalitarianism, and that “in our age of performance and body art, Clark brilliantly posits a Picasso who […]