//Song Stories: Bowie at Sonos New York City. Photo: Mary Kang////Song Stories: Bowie at Sonos New York City. Photo: Mary Kang//
Song Stories: Bowie, the display of photographs I selected to track the late superstar’s relationship with the city of his adoption, is at the Sonos store in New York’s Soho until January 7.
The striking and intimate portraits are of men Borel is either close friends with, or met randomly. Straight, gay, trans, from various professions and backgrounds, the sitters in Homme Libre have an edge of some sort, be it in their stance and attitude, an air of mystery and romance, their strength and vulnerability, or they have reminded Borel of someone she once knew or saw in a film. The series explores ideas of masculinity seen from a female perspective, examining themes of intimacy and identity.
From the notes for Homme Libre
I am among the subjects of photographer Carla Borel’s exhibition Homme Libre, which opens next month at London’s A22 Gallery.
//Front, Run To Me catalogue, 25 x 20cm, 44pp////Unconditional Love, Sam Jackson, 2017//
In the exhibition Run To Me – opening tomorrow at Old Street’s Charlie Smith London – curator Faye Dowling presents a quizzical visual exchange between painter Sam Jackson and photographer Derek Ridgers.
//First part of my essay faced with Tanya, The Batcave, Derek Ridgers 1983//
“In graphics, in the music business at least, Barney pioneered the use of everyday objects in his work. He could see the design and the beauty in the apparently banal” Suzanne Spiro, artist
The Barney Bubbles exhibition Optics & Semantics at London gallery Rob Tufnell closes tomorrow evening; if you have a chance, do go along and enjoy the late graphic arts maestro’s unique celebrations of the mundane and workaday.
//Janette Beckman’s 1980 image of Jerry Dammers of The Specials is included with documentary and portrait photography by the likes of Jane Bown, Bill Brandt, Ian Macdonald, Colin O’Brien, Martin Parr and Jo Spence//
Curated by Christopher Bailey, creative director of sponsoring fashion brand Burberry, with Lucy Kumara Moore of bookshop Claire de Rouen and fashion/documentary photographer Alasdair McLellan, the exhibition Here We Are considers Britishness at this crucial juncture in our economic, political and social history.
//AC/DC Desk (with plug stool), Get Happy!! lightbulb poster, ‘Kill Time’ Stiff Records clock + Ian Dury Cocktail cabinet//
You wait years for a Barney Bubbles exhibition and then two come along in the space of a month.
On the heels of the mini-show of Barney Bubbles music designs at Fred Perry’s basement space in Covent Garden comes a different take on the work of the late graphics maestro.
I’ve organised a small exhibition of artwork relating to designs used in the forthcoming Barney Bubbles x Fred Perry collaboration; it opens later this week at Fred Perry’s flagship London store.
I am one of the guests of the photographer David Gwinnutt at an event being staged next month to coincide with the opening of his forthcoming exhibition at London’s National Portrait Gallery.
Before We Were Men showcases Gwinnutt’s documentation – with hand-held camera and exclusive use of natural light – of creative London in the 1980s. Among his subjects were the designer/performance artist Leigh Bowery, artists Cerith Wyn Evans, Duggie Fields, Gilbert & George and Grayson Perry and dancer/choreographer Michael Clark.