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This portrait of Malcolm McLaren was captured among the columns outside the entrance to London’s august British Museum by Andy Rosen in 1983. In the photograph taken during promotion of the Duck Rock album, which was released at the start of 1983, McLaren sported a rare trenchcoat design from the Witches collection he and Vivienne […]
I’m pretty late with this but there are still three or so weeks to go, so, if you have the opportunity, I recommend a visit to Hauser + Wirth Somerset, home until June 21 of the contemplative and poised exhibition Land Marks: Structures For A Poetic Universe. Curated by historians Nicholas Olsberg and Markus Lähteenmäki, […]
McLaren opened up the frontiers between artistic and wider cultural attitudes by taking fashion and music out of their respective contexts and translating them into new formats that captured the wider popular zeitgeist. A closer look at his seemingly disarticulated, exuberant and streetwise oeuvre shows it to be consistent and, in its own way, profound. […]
In the 21st century, when digital downloads displaced compact discs as the format of consumer choice, music went naked into the world, unadorned by design or packaging. Yet this in turn gave rise to vigorous rear-guard action in the growing appreciation of what was fast disappearing. As if from the dead, vinyl made a comeback […]
//Clockwise from top left: A UFO by Ettore Sotsass, Italy 1957. Manufacturer Arredoluce; Passiflora by Superstudio, Italy 1966. Manufacturer: Design Centre; Belt Lamp by Gaetano Pesce, USA 1995. Manufacturer: Fish Design; C2 by Studio Rossi-Molinari, Italy 1969. Manufacturer: Totem// “These lamps were in no way meant to be utilitarian. They were mass produced as expressions […]
Over time our assumptions of Pop have become more narrow. That word needs to be shook open a little bit. That history needs to be displaced a little bit. To allow for the diversity you have to go back to a more open idea of what Pop could be. Darsie Alexander and Ryan Bartholomew, curators, […]
Years after concerns were raised about the authenticity of around half of the punk fashion pieces in the Metropolitan Museum Of Art Costume Institute collection, cleaning house has finally begun at the New York institution with the expulsion of two bondage suits purporting to have been original 70s designs by Malcolm McLaren and Vivienne Westwood. […]
A selection of works by Derek Boshier in the collection of the Imperial College Healthcare Charity go on display this week.
Thanks to Pace London for providing scans of the showcard for Derek Boshier’s spring 1965 exhibition at Robert Fraser Gallery in Mayfair’s Duke Street.
Derek Boshier’s 1966 work Sam Spade is given prominence in A Strong Sweet Smell Of Incense, the exhibition dedicated to the connoisseurship of the late art dealer Robert Fraser. Boshier was a client until he foreswore painting for a decade or more in 1968. This was a particularly difficult period for Fraser, who was jailed […]