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The American illustrator and photographer Jim French – best known for his pioneering endeavours in the field of homoerotic art – has died at home in Palm Springs at the age of 84.
This is the front of the jacket of my new book The Story Of The Face: The Magazine That Changed Culture, which is published by Thames & Hudson this autumn.
I’ve dug into collector and graphic artist Ian Harris’s rich archive again and turned up a brace of t-shirts he designed in the late 70s for Jasper, the eponymous London-based fashion label operated by entrepreneur Jasper Hamilton Holmes from showrooms in central London.
In 1956 the Hollywood photographer John E. Reed took a series of promotional shots of the stars of DJ Alan Freed’s rocksploitation flick Don’t Knock The Rock.
When innovatory British men’s magazine Club International was launched in 1972, editor Tony Power and art director Steve Ridgeway assembled a diverse pool of contributors, including jazzer, art critic and cultural commentator George Melly, the Stately Homo Quentin Crisp, Rocky Horror Show founder Richard O’Brien, former White Panther Mick Farren, photographers David Parkinson, Mick Rock and […]
Tonight I will join academic and arts writer Dr Ian Massey and filmmaker John Maybury in conversation with photographer David Gwinnutt for an event to coincide with his exhibition Before We Were Men at the National Portrait Gallery.
As punk expert/collector and design academic Paul Burgess notes, references to 430 King’s Road turn up in the most surprising places. So thanks to him for notifying me about this photograph of the coolest address in pop culture – and in particular the tiger stripe-flocked Ford Mustang which adorned the street outside during the Paradise Garage phase […]
Stiff Records was on fire in 1977. The British independent record label, with owners Jake Riviera and Dave Robinson snapping up acts and art director Barney Bubbles applying his unsurpassable skills to the visualising of their music, came straight out of the traps 40 years ago this month with the release of the first ‘punk’ LP Damned […]
On the collapse of their design partnership in October 1983 after showcasing of the collection Worlds End 1984 in Paris and London, Malcolm McLaren and Vivienne Westwood went their separate ways.
Sweet relief from travails personal and political was provided last night by visits to openings of two contrasting yet similarly satisfying creative endeavours in our great capital.