When Kilburn + The High Roads played the King’s Road Theatre 1974: Ian Dury in Let It Rock ‘Alan Ladd’ suit + feather tie and Sue and Simon Haynes’ extraordinary Tower Bridge stage set

//Keith Lucas and Ian Dury onstage at the Kings Road Theatre, November 1974. Photo: Simon Haynes Collection//

As these rarely seen photographs show, when the subject of my last book the late Tommy Roberts took over management of Kilburn & The High Roads he sought to elevate them from the pub-rock scene by upping the visual ante on every front.

//From left: Lucas, Dury, David Rohoman, Charlie Sinclair and Davey Payne//

Continue reading When Kilburn + The High Roads played the King’s Road Theatre 1974: Ian Dury in Let It Rock ‘Alan Ladd’ suit + feather tie and Sue and Simon Haynes’ extraordinary Tower Bridge stage set

Another of Mr Freedom’s ‘monstrous oddities’: Sue + Simon Haynes’ giant blue fun-fur gorilla

//Mirabelle, May 2, 1970//

From the archive of the late Tommy Roberts, this image from British teen fashion magazine Mirabelle shows a particularly outré commission from fashion’s master of flamboyant retailing: a 7ft high rendition of a King Kong-style gorilla in blue fun fur created by the design team Sue and Simon Haynes.

Continue reading Another of Mr Freedom’s ‘monstrous oddities’: Sue + Simon Haynes’ giant blue fun-fur gorilla

Exclusive: Inside Paradise Garage at 430 King’s Road with Electric Colour Company, 1971

//Interior, 430 King's Road, Chelsea, May 1971. Note coconut matting, shack-style dressing room doors, trompe de l'oeil gate painted on stockroom door... and fake tiger. Photography: David Parkinson.//

I first wrote about Electric Colour Company – the design studio formed in the East End by four fine art students in the late 60s – in The Look and then in more detail here.

//Amid the singlets, printed sweatshirts and appliqued denim, a bamboo cage housed birds of paradise, suspended from the matting covered ceiling.//

In my view, ECC deserves much greater recognition for executing some very clever work in the field of retail design and interiors in the period 1969-1973.

Continue reading Exclusive: Inside Paradise Garage at 430 King’s Road with Electric Colour Company, 1971

“I’m very earthy”: Trevor Myles and his Paradise Garage in Harpers & Queen 1971

//Outside 430 King's Road (from left) summer 1971: Unknown, assistant Lisa Petersen, manager Roly Poltock, designer Diana Crawshaw and founder Trevor Myles. Photograph: Julian Allason.//

Harpers & Queen ran this photograph of the short-lived but significant World’s End boutique Paradise Garage in the Shopping Bazaar section of the September 1971 issue.

Continue reading “I’m very earthy”: Trevor Myles and his Paradise Garage in Harpers & Queen 1971

John Stephen: Progenitor of a custom-built design movement

“One day, ‘Carnaby Street’ could rank with ‘Bauhaus’ as a descriptive phrase for a design style and design legend.”

Ken and Kate Baynes, Design, August 1966.

Today is the seventh anniversary of Westminster Council’s dedication of a plaque in Carnaby Street to the late fashion retailer John Stephen, the 60s media darling dubbed “The £1m Mod” for his entrepreneurial success and flamboyant lifestyle (houses in Cannes and Milan, a white Alsatian named Prince who dined with him at his regular table at Mirabelle).

Continue reading John Stephen: Progenitor of a custom-built design movement

October 17: A right turn-out for Pop! with John Dove + Molly White, Antony Price + Tommy Roberts

On October 17 I’m hosting the opening session of the Pop! Design Study Day at London’s Fashion & Textile Museum.

The event is part of the FTM’s Pop! Design Culture Fashion exhibition and I’ll be kicking off proceedings in conversation with John Dove & Molly White, Antony Price and Tommy Roberts.

Continue reading October 17: A right turn-out for Pop! with John Dove + Molly White, Antony Price + Tommy Roberts