
As these rarely seen photographs show, when the subject of my last book the late Tommy Roberts took over management of Kilburn & The High Roads he sought to elevate them from the pub-rock scene by upping the visual ante on every front.


As these rarely seen photographs show, when the subject of my last book the late Tommy Roberts took over management of Kilburn & The High Roads he sought to elevate them from the pub-rock scene by upping the visual ante on every front.


From the archive of the late Tommy Roberts, this image from British teen fashion magazine Mirabelle shows a particularly outré commission from fashion’s master of flamboyant retailing: a 7ft high rendition of a King Kong-style gorilla in blue fun fur created by the design team Sue and Simon Haynes.
A little-known design by Barney Bubbles – the graphics genius and subject of my book Reasons To be Cheerful – has emerged.
Continue reading Feast your eyes on this Barney Bubbles rarity

I first wrote about Electric Colour Company – the design studio formed in the East End by four fine art students in the late 60s – in The Look and then in more detail here.

In my view, ECC deserves much greater recognition for executing some very clever work in the field of retail design and interiors in the period 1969-1973.

Harpers & Queen ran this photograph of the short-lived but significant World’s End boutique Paradise Garage in the Shopping Bazaar section of the September 1971 issue.
Continue reading “I’m very earthy”: Trevor Myles and his Paradise Garage in Harpers & Queen 1971


Designer Pamla Motown – cherished for her contributions to 70s fashion with a run of sensational designs for Mr Freedom and under her own labels – is back with a new version of her graphic “Artist” T-shirt.
Continue reading Pamla Motown returns with a new version of The Artist T-shirt

Conducting the in conversation with Antony Price at London’s Fashion + Textile Museum earlier this week was fun.
Continue reading Antony Price, Peter York and the occasional Them
“One day, ‘Carnaby Street’ could rank with ‘Bauhaus’ as a descriptive phrase for a design style and design legend.”
Ken and Kate Baynes, Design, August 1966.
Today is the seventh anniversary of Westminster Council’s dedication of a plaque in Carnaby Street to the late fashion retailer John Stephen, the 60s media darling dubbed “The £1m Mod” for his entrepreneurial success and flamboyant lifestyle (houses in Cannes and Milan, a white Alsatian named Prince who dined with him at his regular table at Mirabelle).
Continue reading John Stephen: Progenitor of a custom-built design movement
On October 17 I’m hosting the opening session of the Pop! Design Study Day at London’s Fashion & Textile Museum.
The event is part of the FTM’s Pop! Design Culture Fashion exhibition and I’ll be kicking off proceedings in conversation with John Dove & Molly White, Antony Price and Tommy Roberts.
Such was the shadow Tommy Roberts cast over popular music that even Practical Styling, the 80s central London furniture, office and homewares outlet he ran with partner Paul Jones, was cited as an influence by performer Geoff Deane.
Continue reading The Face 1983: Geoff Deane applies the Practical Styling principle to pop