The catalogue for exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren is published on Friday (November 13).
Continue reading Eyes For Blowing Up Bridges catalogue published this Friday
Fashion Design
Be Reasonable: Fashion’s finest discuss McLaren & Westwood’s influence at first public screening of 80s catwalk footage
The cream of British fashion journalism – Dean Mayo Davies, Ben Reardon and Lou Stoppard – will be discussing the indomitable body of design work produced by Malcolm McLaren and Vivienne Westwood at tomorrow’s event Be Reasonable Demand The Impossible.
‘A lifetime in design taught Tommy Roberts to avoid fashionability’: My chapter on the importance of the late design entrepreneur in new book
“Anyone who has wondered how the Britain of utility furniture and wartime rationing managed to evolve into Cool Britannia will find this a remarkable book.”
Elizabeth Guffey, State University of New York at Purchase
My case study Tommy Roberts: From Kleptomania To Two Columbia Road forms a chapter in new book British Design: Tradition And Modernity After 1948, which is published by Bloomsbury Academic tomorrow (October 22).
‘Absolutely London’: Marx, Kenny MacDonald + PiL style
In the histories of London street style, Kenny MacDonald’s King’s Road outlet Marx receives rare mention, yet from the mid-70s this unusual and tucked-away boutique was important in the development of the type of English tailoring-with-a-twist which has subsequently dominated a strand of menswear around the world.
Continue reading ‘Absolutely London’: Marx, Kenny MacDonald + PiL style
From Vive la Commune! in 1881 to Vive le Rock! in 1972: How a Chinese Communist Party pamphlet inspired one of the great Malcolm McLaren designs
//From top left: Chinese Communist Party pamphlet, 1971; McLaren in Let It Rock 1972; Proclamation by Engels and Marx, 1881; Title lettering, Belgian film poster, 1958//
A year or so ago I established the source material for one of the first designs generated by Malcolm McLaren in the fashion partnership he conducted with Vivienne Westwood in the 70s and early 80s.
Now I can reveal the inspiration: text contained in an unprepossessing Communist booklet celebrating the short-lived “Paris Commune” government of 19th Century revolutionary France.
Weld: Beguiling Brian Griffin considers fashion + feminism in Disegno
//Left: Top in blue suede, JW Anderson for Loewe. Right: White cotton shirt and blue flared trousers, both Kenzo//
Photographer Brian Griffin rarely fails to beguile, as evinced by these portraits from a series produced with stylist Emma Clifton for architectural/design/fashion magazine Disegno earlier this year.
Continue reading Weld: Beguiling Brian Griffin considers fashion + feminism in Disegno
My piece on David Bowie’s early 70s stylistic ch-ch-changes on The Guardian men’s fashion page
Read my piece on the stylistic changes rung by David Bowie during the early 70s on The Guardian’s men’s fashion pages here.
I discuss his fashion collaborations with Freddie Burretti, Daniella Parmar and Kansai Yamamoto and talk about the Pin-Ups suit from City Lights Studio designed by Derek Morton. Hope you enjoy.
Subjective Reality: Steven Meisel’s film for Miu Miu A/W 15 tips a wink to Seditionaries
Steven Meisel’s campaign clip for Miu Miu’s autumn/winter 2015 collection tips a knowing wink to Malcolm McLaren and Vivienne Westwood’s 70s label Seditionaries, and in particular the design collage Vive Le Rock/Punk Rock Disco.
The story of the Sex shop leather hood: From harmless fetish attire (as sported by David Bowie?) to theatre of cruelty design totem
//Left: Detail of photo of model posing in leather Sex hood, autumn 1974. Photo: © David Parkinson. Right: David Bowie in leather hood, summer 1974, Sherry Netherland Hotel, New York. Photo: Dana Gillespie//
My recent post about David Bowie’s visits in 1974 to 430 King’s Road when it was in its Too Fast To Live Too Young To Die incarnation prompted Facebook friend and DJ Graham “Sugarlump” Evans to alert me to Polaroid photographs of David Bowie trying out make-up, hair and styling options in preparation for his Diamond Dogs tour of the US that year.
In one, as Evans points out, Bowie posed in a leather hood of similar style to the model sold at 430 as it was transformed over a period of six months from TFTL to fetish emporium Sex.
Malcolm McLaren in Witches trenchcoat on the steps of the British Museum 1983
This portrait of Malcolm McLaren was captured among the columns outside the entrance to London’s august British Museum by Andy Rosen in 1983.
In the photograph taken during promotion of the Duck Rock album, which was released at the start of 1983, McLaren sported a rare trenchcoat design from the Witches collection he and Vivienne Westwood debuted on the catwalk that spring.
Continue reading Malcolm McLaren in Witches trenchcoat on the steps of the British Museum 1983