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Tomorrow I’ll be talking to interiors, homewares and textile designer Sue Timney about the fashion legacy of the King’s Road, the two-and-a-half mile thoroughfare in west London’s Chelsea where the late Mary Quant kicked off the boutique boom by opening her clothes shop Bazaar at 135a in 1955.
Here’s another treasure from the trove of Design magazines given to me by the designer Paul Walters; the invitation for the opening of Paul Reeves’ west London boutique Universal Witness in November 1970.
I am extremely grateful to artist and designer Paul Walters for his gift of dozens of issues of Design magazine dating to the dawn of the 1970s. These are being catalogued and added to the collection I already have of the title; some were donated by Paul’s fellow artist and designer Steve Thomas a few […]
The jury is out on this autumn’s relaunch of the print edition of venerated British style magazine The Face; as I suggested here it’s going to take more than one splashy issue to assess whether the proposition has legs as we enter the 2020s (next May will mark the 40th anniversary of the founding of […]
My recent Rocketman post gave me cause to dig out my copy of the catalogue produced for the groundbreaking exhibition Fashion: An Anthology, staged by London’s V&A from October 1971 to January 1972.
I’m extremely grateful to artist/designer/photographer Ash Hudson for sending precious photographs and design sketches from the archive of his late mother Ola Hudson, the super-talented fashion designer and costumier best known for providing David Bowie with the formal yet other-worldly collection of garments he wore in Nicolas Roeg’s 1976 film The Man Who Fell To […]
Frédéric Sanchez’s composition for Prada’s A/W 2018 collections is a little wonder. Enjoy it here: Keep up with Sanchez here.
** This post is dedicated to the New York design thinker and doer Jim Walrod, who has passed away. Just a couple of weeks ago I mentioned my intention to post about On 1st to Jim over dinner. Of course, he knew about the store but was excited to see what fresh info I might […]
On the collapse of their design partnership in October 1983 after showcasing of the collection Worlds End 1984 in Paris and London, Malcolm McLaren and Vivienne Westwood went their separate ways.
This is the book which inspired the late Malcolm McLaren to unite the design ideas he developed with Vivienne Westwood for their Autumn/Winter 1983 fashion collection Witches. At the time McLaren was completing his album Duck Rock, which was conceived as an ethnological travelogue and modelled on the LP series Dances Of the World’s Peoples released on the […]