The Past The Present & The Possible in Libération

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French newspaper Libération’s coverage of the White Noise show in Chaumont included a section on my Barney Bubbles exhibit The Past The Present & The Possible.

Marie Lechner’s report – see here – points to Bubbles’ “spirit of protest and fun” shared by other White Noise exhibitors such as French design/music magician Shoboshobo (aka Mehdi Hercberg).

Visit Shoboshobo’s site here.

White Noise – curated by Sophie Demay and Etienne Hervy – is on until Sunday (June 10). Thereafter it will be open for a week exclusively for schools, colleges and general educational purposes.

Barney Bubbles exhibition opening on Saturday

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Installation of the 280 exhibits for The Past, The Present & The Possible – my new Barney Bubbles exhibition  – is underway at Les Subsistances gallery in Chaumont, France.

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The Past, The Present & The Possible is part of the group show White Noise: Quand graphisme fait du bruit (When graphics make the noise), which opens on Saturday (May 26).

See more images from the install over at the Barney Bubbles Blog.

Read more about the exhibition here.

New Barney Bubbles exhibition: we’re on our way

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These are the trestles stacked up in Les Subsistances gallery in Chaumont, France, awaiting delivery of the exhibits for my show Barney Bubbles: The Past, The Present & The Possible, which is part of the group show White Noise: Quand le graphisme fait du bruit opening on May 26.

The exhibits arrive in France today, so the install  is underway.

White Noise, co-curated by Sophie Demay and Etienne Hervy, coincides with Chaumont’s 23rd International Poster & Graphic Design Festival.

Read more about it here.

Derek Boshier: David Bowie + The Clash at Pallant House this summer

//Sketches for Lodger gatefold cover, 1979.//

//Front, Clash 2nd Songbook, Music Sales Ltd, 1978. 12" x 9", 60pp (inc covers).//

Artist Derek Boshier’s practice is marked by his engagement with contemporary culture; this has been a consistent aspect of his work since the earliest days of the British Pop movement.

When popular music has invigorated the wider world, Boshier has been present, incorporating Buddy Holly into his painting I Wonder What My Heroes Think Of The Space Race? in Ken Russell’s defining 1962 Monitor piece Pop Goes The Easel, and providing one of the most vivid visual documents of the punk and post-punk era, Clash 2nd Songbook.
Continue reading Derek Boshier: David Bowie + The Clash at Pallant House this summer

Feature in new issue of Blueprint

I have a piece on the inclusion of Barney Bubbles in the V&A’s British Design 1948-2012 exhibition in the new issue of Blueprint magazine.

For the full page go here.

Read my summary of the exhibition catalogue here.

Visit Blueprint’s site here.

Chaumont show selection continues

//Holding foldout sleeve for the 1972 album Revelations: A Musical Anthology For The Glastonbury Fayre, designed by Barney Bubbles and released in 1972. Photo: Sophie Demay//

Artist/curator Sophie Demay and I are continuing to sort through potential materials for this summer’s exhibition White Noise, which Demay is creating with Etienne Hervy as part of this year’s International Poster & Graphic Design Festival in Chaumont, France.

See more images from the selection process on the Barney Bubbles blog.