Derek Boshier: One (1967) + !Manifesto! (1969)
It’s always a delight to encounter fresh artworks by a favourite artist, and Derek Boshier’s print One from 1967 is no exception.
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It’s always a delight to encounter fresh artworks by a favourite artist, and Derek Boshier’s print One from 1967 is no exception.
‘ I am among the participants in The Conformist, a group exhibition being organised for the New Year by artist Paul Kindersley at the gallery of Julia Muggenburg’s extraordinary London art/jewellery establishment Belmacz.
Derek Boshier: Rethink/Re-entry – the artist monograph I edited – has been picked as one of the best art books of 2015 by British broadsheet The Observer.
I’m very excited by the news that artist Stephen Sutcliffe and director Graham Eatough are making a film based on the first and last chapters of the Enderby novels by my literary hero Anthony Burgess.
“It didn’t matter what side of the bed you were lying on, as long as you were lying on it. Everybody from (author/actress) Anne Lambton to (Sex Pistols guitarist) Kutie Jones to (socialite and writer) Anthony Haden-Guest – they were all flattered. Just goes to show how everyone loves to have their moment – good, […]
The work of artist Victor Burgin is undergoing re-appraisal in the light of two forthcoming exhibitions, one of which starts this week. London’s Richard Saltoun Gallery is marking the 40th anniversary of Burgin’s photo-text series UK76 by presenting the work in its entirety and in the form in which he showed his art in the […]
On Sunday night the performance art biennial Performa 15 culminated with a celebration of the 40th anniversary of punk. As part of the event at New York’s Hôtel Americano, the Malcolm McLaren Award – designed by Marc Newson with $10,000 prize money – was presented to Edgar Arceneaux by Young Kim of the McLaren Estate […]
Last night I gave a talk to fine art students at Central Saint Martins as part of the London art and design college’s Monday Guest Lecture series. The title – Malcolm McLaren: A New Type Of Artist – stemmed from the catalogue introduction by the late Paul Taylor to Impresario, the 1988 New York New […]
A few months before Cosey Fanni Tutti upset the apple-cart as a member with Genesis Breyer P. Orridge of COUM Transmissions – the “wreckers of civilisation” who staged the Prostitution exhibition at London’s ICA – the performance artist/musician posed with another model for a 1976 issue of men’s magazine Club International.
The catalogue for exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren is published on Friday (November 13).