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I’m extremely grateful to artist/designer/photographer Ash Hudson for sending precious photographs and design sketches from the archive of his late mother Ola Hudson, the super-talented fashion designer and costumier best known for providing David Bowie with the formal yet other-worldly collection of garments he wore in Nicolas Roeg’s 1976 film The Man Who Fell To […]
In 1971 the great advertising director and photographer Michael Joseph was commissioned to shoot a billboard campaign for the Italian digestif Fernet-Branca.
“He was a man full of wit and charm who always had an eye for new and exciting things. His special characteristics were kindness and forethought” Jordan Mooney, 2016 Following my recent blogs on the life of the late fashion model David “Piggy” Worth, here is a gem: Sex and Seditionaries superstar Jordan Mooney recalls her […]
It is a great honour to feature this guest post by the artist and thinker Judy Nylon about her friend David “Piggy” Worth and their life and milieu in London at the turn of the 70s (brought up in Boston, Nylon had arrived in the UK capital at the start of the decade). The photographs, […]
Tomorrow (November 2) I am introducing a Malcolm McLaren film night at Southampton’s The Stage Door as part of the city’s Film Week.
It is relatively common knowledge among those interested in the careers of Malcolm McLaren and Vivienne Westwood and their series of extraordinary shops that they supplied clothes to the 1973 album Golden Hour Of Rock & Roll; Let It Rock at 430 King’s Road was clearly credited on the back of the record sleeve. But […]
The fabulous Peggy Noland has selected four online clips loosely linked by the theme of transformation for LA’s Museum Of Contemporary Art channel MOCAtv: • A “haul video” from Mall Of America made by dedicated shopper PiinkSparkles
Trevor Myles’ decision to incorporate a flocked and tiger-striped 1966 Ford Mustang as part of his retail space Paradise Garage naturally attracted a lot of attention during the brief existence of this unusual fashion outlet at 430 King’s Road in Chelsea’s World’s End in 1971.
Paris, Capital of the XXIst Century is a personal and subjective journey that began firstly by ambling through a century’s archive of thousands of cinema commercials about the city (its inhabitants, what it sells, how it looks…), secondly by gathering impressions (choosing what to exploit, covet and keep), jotting them down only when I returned […]