Long-awaited monograph Derek Boshier: Rethink/Re-entry to be published by Thames & Hudson in October

T&H Catalogue - Rethink:Re-entry copy
//From Thames & Hudson’s July-December 2015 catalogue//

“As an artist Derek Boshier has never lost his sense of wonder at the world” – David Hockney

The publication date of Derek Boshier: Rethink/Re-entry – the monograph of the great British artist I have edited – is confirmed as October 5.

Published by Thames & Hudson with a preface by David Hockney, Rethink/Re-entry contains 300-plus illustrations, from student exercises in the mid-50s to current works including the cover, a new portrait of Hockney and chapter openers especially designed by Boshier for the project.

Continue reading Long-awaited monograph Derek Boshier: Rethink/Re-entry to be published by Thames & Hudson in October

Icteric’s influence on the Sex shop t-shirt You’re Gonna Wake Up One Morning And Know What Side Of The Bed You’ve Been Lying On!

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//Explanatory text panel which appeared on the inside cover of Icteric No. 2 with 2004 note, from King Mob: A Critical Hidden History//
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//Extract of text on 1974 t-shirt by Bernie Rhodes, Malcolm McLaren and Gerry Goldstein//

A few years ago I attempted a dissection of the intriguing elements of the culture-shock t-shirt You’re Gonna Wake Up One Morning And Know What Side Of The Bed You’ve Been Lying On!, produced by Bernie Rhodes, Malcolm McLaren and Gerry Goldstein for sale in Sex at 430 King’s Road in the autumn of 1974.

In You’re Gonna Wake Up, the declamatory tone, aggressive punctuation, satirical bite and use of basic typographical emphases such as the repeated forward slash and random capitalised text combined to detonate a densely packed cultural device.

Continue reading Icteric’s influence on the Sex shop t-shirt You’re Gonna Wake Up One Morning And Know What Side Of The Bed You’ve Been Lying On!

In search of the entirely unexpected: Barney Bubbles among Print magazine’s Unsung Heroes Of Design

 

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//From Print’s 75th anniversary issue, illustrations (clockwise from top left): A section of Bubbles’ design for the sleeve of 1979 LP Armed Forces lines up with work by Ruth Ansel, Andrew Loomis, Ladislaw Sutnar, Cipe Pineles and Paul Bacon//

For its 75th anniversary issue, US visual culture publication Print has selected Barney Bubbles as one of six “unsung heroes of design”.

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‘A booby trap in Pop Art’: The tits tee featured in 1972 Frederick’s of Hollywood catalogue

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//Detail, Frederick’s catalogue. Photo: Johnny Deluxe//

Congratulations to our pal Johnny Deluxe for this fantastic spot; he happened upon this kitsch sketch of an original tits t-shirt while leafing through an early 70s Frederick’s Of Hollywood catalogue.

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//Catalogue page. Photo: Johnny Deluxe//

Continue reading ‘A booby trap in Pop Art’: The tits tee featured in 1972 Frederick’s of Hollywood catalogue

A cause for celebration: Digitisation of all 239 issues of Spare Rib

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Great news that the British Library has digitised the archive of one of the most important magazines of modern times: Spare Rib.

If you don’t know it or haven’t seen the publication, you are in for a treat. As the British Library’s politics and public life curator Polly Russell says, Spare Rib was “funny, irreverent, intelligent and passionate… a product of its time which is also somehow timeless”.

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Introducing first UK screening of Malcolm McLaren’s completed Paris: Capital Of The XXIst Century at The Performance Studio next week

Malcolm McLaren

McLaren opened up the frontiers between artistic and wider cultural attitudes by taking fashion and music out of their respective contexts and translating them into new formats that captured the wider popular zeitgeist. A closer look at his seemingly disarticulated, exuberant and streetwise oeuvre shows it to be consistent and, in its own way, profound.

David Thorp

On Wednesday (June 3) I’m introducing a screening of Malcolm McLaren’s Paris: Capital Of The XXIst Century at The Performance Studio in Peckham, south London.

This is a the first-ever opportunity in this country to see the final work, which McLaren completed a matter of weeks before his death in April 2010. A working version was shown here just once, at Newcastle’s Baltic in November 2009.

Continue reading Introducing first UK screening of Malcolm McLaren’s completed Paris: Capital Of The XXIst Century at The Performance Studio next week