Identity, Photography, Fashion: Images from new exhibition North

//From the series Skelmersdale, 1984. Photograph by Stephen McCoy//
//Derrin Crawford & Demi-Leigh Cruickshank, The Liver Birds, LOVE, 2012. Photograph by Alice Hawkins//
//Raf Simons menswear Autumn Winter 2003, Paris Menswear Fashion Week. Copyright Catwalking.com//

Here is a selection of amazing images featured in new exhibition North: Identity, Photography, Fashion, which is open to the public from today at Liverpool’s Open Eye Gallery.

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Exclusive installation shots from North: Identity, Photography, Fashion

//Mannequin, New Power Studio, Autumn/Winter 2010 – Spring/Summer 2012. Wall: Manchester, Newcastle and Sheffield, 1995-2001, Jason Evans//
//Set design, Tony Hornecker, 2016. Film: Stylist Simon Foxton discusses growing up in Berwick-upon-Tweed, produced in collaboration with SHOWstudio, 2016//

I am very grateful to curators Adam Murray and Lou Stoppard for these exclusive installation shots from their exciting exhibition North: Identity, Photography, Fashion, which opens in a couple of hours at Liverpool’s Open Eye Gallery.

Exploring the influence of England’s northern cities and landscape on fashion and visual culture, the show presents the work of such vital image-makers as Alasdair McLellan – who has created his first film installation for public display at North – as well as Jamie Hawkesworth, Glen Luchford and Nick Knight.

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Michael Joseph’s 1971 ‘orgy’ shoot: Journey from Fernet-Branca billboard ad – starring Judy Nylon, Gala Pinion, Brent Sherwood, David ‘Piggy’ Worth et al – to covers of 90s/00s funk compilations

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//The Michael Joseph image which was to be central to the 1971 Fernet-Branca campaign was featured in Dave Saunders’ survey Sex In Advertising, published by Batsford Books in 1996//
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//Front, Funk Spectrum, BBE Records, 1999. Photo: Michael Joseph//
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//Back, Funk Spectrum, BBE, 1999. Photo: Michael Joseph//

In 1971 the great advertising director and photographer Michael Joseph was commissioned to shoot a billboard campaign for the Italian digestif Fernet-Branca.

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The Lava Lady: Suzan Strauss 1930 – 2016

Woman walking along La Brea Boulevard, Los Angeles
//The Lava Lady on La Brea Boulevard, Los Angeles, 1990s. Photo: http://antebellumgallery.blogspot.co.uk//

Sad to note the passing of Suzan Strauss, whose intriguing, otherworldly presence illuminated the streets around Melrose and La Brea in Los Angeles in the 80s and 90s.

Choosing to walk the otherwise empty pavements in her ever-changing extraordinary outfits, she was known as The Lava Lady since her residence on Detroit was clad in black lava rock (and apparently the interior was not lit by electricity, but candles).  In my circle Strauss was known as That Lady, as in “I was parking in Ralph’s and saw That Lady” or “I nearly spoke to That Lady at Fairfax High flea market but didn’t want to disturb her”.

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Talking about Legacy: The story of The Face at ModMag 2016

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Apologies for not posting for a while; I am currently focusing energies on my book Legacy: The story of The Face, which is published by Thames & Hudson in autumn 2017.

Launched in 1980 by print publishing pioneer Nick Logan – the editor of the NME during its ’70s glory years, the man who also founded Smash Hits, Arena, Arena Homme Plus, Frank and Deluxe – The Face magazine brought the news on the dizzying developments of popular culture for two decades.

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Maximum cool: Paul Yule’s photojournalism casts creative figures in a new light

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//Fashion designer Vivienne Westwood at Paul Yule’s studio in Berwick Street, Soho, central London, 1980//
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//Filmmaker Alex Cox directing an Oxford University Dramatic Society production of Bertholt Brecht’s The Resistable Rise Of Arturo Ui, 1975//

Here are just a few examples of the riches presented by photojournalist/filmmaker Paul Yule’s highly recommended Instagram feed @paul_yule.

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//Bow Wow Wow singer Anabella L’win and manager Malcolm McLaren at L’Escargot restaurant in Greek Street, Soho, immediately prior to the group signing with RCA Records, 1981//

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Photography in a period of transition: London’s creative community captured down the decades in David Gwinnutt’s Portraits Trouvés

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//Siouxsie Sioux, 42 Arlington Square, N1, 1982. © David Gwinnutt//
Corinne Day
//”This was taken in hospital when she had the brain tumour but oddly seems to reflect the end of that heroin chic period.” The late photographer Corinne Day, Whitechapel Hospital, east London, 1996. © David Gwinnutt//
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//Timberlina, east London 2009. © David Gwinnutt//

Photographer David Gwinnutt’s new show Portraits Trouvés at north London estate agency Currell provides documentation of the drastic transformation of our city through portraiture of some of the leading lights in arts and culture from the 80s to the 10s.

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A brief journey through David Bowie’s London from the 40s to the 10s with me and Herb Lester

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As a tribute to the late rock star, I have joined forces with map-makers Herb Lester to create an online guide to David Bowie’s London from his birth at 40 Stansfield Road in Brixton in 1947 through his solo art show in Mayfair in 1995 to the giant retrospective David Bowie Is exhibition at the Victoria & Albert Museum in South Kensington in 2013.

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