‘This country is run by a group of Fascists’: When Malcolm McLaren met Sweet Gene Vincent backstage at The Marquee

GV53_1Small copy Let It Rock - Gene Vincent AnAn copyb+b-ygwu3 copy

//Clockwise from top left: Gene Vincent with one of The Houseshakers, Magnet Club, Chelmsford, UK, February 1971. Photo: http://gene.vincent.fanclub.voila.net; Let It Rock assistant in Gene Vincent and the Blue Caps top, Wembley Stadium, August 5, 1972. Photo: Masayoshi Sukita; Vincent’s quote as featured on the Sex t-shirt You’re Gonna Wake Up, 1974//

‘Gene Vincent for me was the embodiment of rock’n’roll’

Malcolm McLaren 1997

On September 22 1971, Gene Vincent was a mid-week booking to play a “rock revival” night at central London club The Marquee.

Times were tough; at just 36, the soft-spoken American rocker was apparently way past his heyday and beset by severe health problems brought on by the combination of alcoholism and addiction to prescription drugs taken to dull the constant pain in his left leg. This was the result of a crippling motorbike accident in his youth and the lingering effects of having been in the 1960 car-crash which killed Eddie Cochran.

Continue reading ‘This country is run by a group of Fascists’: When Malcolm McLaren met Sweet Gene Vincent backstage at The Marquee

Barney Bubbles’ early 70s drum-head for Quiver

11174769_10153339955661694_4783911415684882423_n
//Bubbles’ drum-head for Willie Wilson of Quiver is the centrepiece of this arrangement by artist/designer Steven Thomas of pieces from John Pidgeon’s Poole pottery collection. Photo: John Pidgeon//

This drum-head design by Barney Bubbles for Willie Wilson, sticksman of early 70s folk-rockers Quiver, makes a fine addition to the group of artworks produced in this medium by the late graphics maestro.

Continue reading Barney Bubbles’ early 70s drum-head for Quiver

‘Beautiful objects but don’t try to read a book by them!’ Rad Light: The Radical Lighting Collection Of Jim Walrod

XB2W6337 XB2W6257 XB2W6177 XB2W6405//Clockwise from top left: A UFO by Ettore Sotsass, Italy 1957. Manufacturer Arredoluce; Passiflora by Superstudio, Italy 1966. Manufacturer: Design Centre; Belt Lamp by Gaetano Pesce, USA 1995. Manufacturer: Fish Design; C2 by Studio Rossi-Molinari, Italy 1969. Manufacturer: Totem//

“These lamps were in no way meant to be utilitarian. They were mass produced as expressions of art by the most innovative designers working at the time and are beautiful objects. Just don’t try to read a book by them!”

The pick of design authority and interiors practitioner Jim Walrod’s extraordinary lighting collection is on display at New York’s Patrick Parrish Gallery until Sunday (April 19).

Continue reading ‘Beautiful objects but don’t try to read a book by them!’ Rad Light: The Radical Lighting Collection Of Jim Walrod

Too little, too late? NY Met finally ‘de-accessions’ two bogus Seditionaries designs from Costume Institute collection

Met-deaccessionedjacketinAnglomania

Met-Bondagesuitblue
//One of the two bondage suits which have been removed from the Met collection. They were previously granted prominence in the museum’s 2006 exhibition Anglomania. This image is from the frontispiece of the show’s lavish catalogue//

Years after concerns were raised about the authenticity of around half of the punk fashion pieces in the Metropolitan Museum Of Art Costume Institute collection, cleaning house has finally begun at the New York institution with the expulsion of two bondage suits purporting to have been original 70s designs by Malcolm McLaren and Vivienne Westwood.

A museum spokesperson has confirmed that the suits have been “formally de-accessioned”. A relatively rare process in international-standard curatorial circles, de-accessioning occurs when information undermining the provenance and authenticity of a museum object comes to light.

Continue reading Too little, too late? NY Met finally ‘de-accessions’ two bogus Seditionaries designs from Costume Institute collection

That’ll Be The Day: How Ringo ended up in a Teddy Girl’s drape jacket from Let It Rock

P1160012
//Starr on location in Let It Rock drape. Note bust darts.  From the front page of Disc & Music Echo, December 16, 1972. Photo: Uncredited//

In the autumn of 1972 the small King’s Road boutique Let It Rock, which had been open for less than a year, received a fillip when the owners Malcolm McLaren and Vivienne Westwood were asked to contribute costumes to the production of 50s Britrock movie That’ll Be The Day.

Continue reading That’ll Be The Day: How Ringo ended up in a Teddy Girl’s drape jacket from Let It Rock

Ben Kelly aka The Photo Kid outside Sex, 430 King’s Road, World’s End, 1975

3. Sex-exteriorBenKelly
//Ben Kelly underneath the Sex sign, 1975. Photo courtesy Ben Kelly//

I’m featuring this image of designer Ben Kelly in his persona of The Photo Kid in my presentation about the design history of 430 at the symposium Dead Or Alive: Popular Culture & The Interior, which takes place today at London’s ICA.

Continue reading Ben Kelly aka The Photo Kid outside Sex, 430 King’s Road, World’s End, 1975