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Author: Paul Gorman

1980s

Exclusive installation shots from North: Identity, Photography, Fashion

I am very grateful to curators Adam Murray and Lou Stoppard for these exclusive installation shots from their exciting exhibition North: Identity, Photography, Fashion, which opens in a couple of hours at Liverpool’s Open Eye Gallery. Exploring the influence of England’s northern cities and landscape on fashion and visual culture, the show presents the work of […]

January 5, 2017
1970s

On Malcolm McLaren’s reading list: Nik Cohn, Frederick’s Of Hollywood and Giorgio Morandi catalogues, Wilhelm Reich, Tom Wolfe and the folk art and magic studies which inspired fashion adventures with Vivienne Westwood

A few years back I came across Malcolm McLaren’s annotated copy of Indian Rawhide, the anthropologist Mable Morrow’s study of the folk art produced by Native American tribes which inspired the late cultural iconoclast in the conceptualising with his partner Vivienne Westwood of their Spring/Summer 1982 fashion collection Savage. McLaren obtained a copy of Morrow’s […]

January 3, 2017
1970s

Eight Young Photographers: The poster

As a follow-up to my last post, here is the stunning poster for Eight Young Photographers, the third exhibition to be held at the Photographers Gallery (which opened at its original premises in central London’s Great Newport Street at the beginning of 1971). The image has been provided by Mark Trompeteler, who was one of the […]

December 10, 2016
1970s

Eight Young Photographers: David Parkinson’s mould-breaking contribution to the 1971 exhibition

Eight Young Photographers was the third exhibition to be held at the newly-opened Photographers Gallery at its original premises in Great Newport Street in London’s West End. The gallery opened in January 1971 with a group show entitled The Concerned Photographer featuring, among others, Robert Capa, and followed that by simultaneously staging three exhibits, including a display […]

November 22, 2016
1960s

Sayonara Martin Stone 1946 – 2016

Martin Stone hopped, pre-dawn, through the Cheshire street market, scavenging books. Winklepickers, tourniquet trousers, mildewed beret, bulging swagbag: Blind Pew impersonated by Max Wall. Cigarette grafted to trembling, prehensile fingers, he was an anthology of retro fashion. And in his wake there shimmered a vortex of gossip and, amazingly, goodwill…  Iain Sinclair, The Independent, February […]

November 10, 2016
1970s

The Rebel Music man: Dave Hendley exhibition opens this week

I’m really looking forward to visiting the forthcoming exhibition of the photography of Dave Hendley, who died this summer. Hendley is best known for the photos he took of the Jamaican music scene in the 70s, but he holds a special place for me as the man responsible for one of my favourite compilations, the double-LP Rebel […]

November 8, 2016