Paul Gorman

1940s

Totally Wired: Music publications that made a difference

When he launched the small-format 32-page song sheet The Melody Maker in 1926, Tin Pan Alley music publisher Lawrence Wright sparked the media revolution that created the music press.

This multi-million pound business eventually straddled the Atlantic and simultaneously proved a fertile breeding ground for generations of writers, photographers, film-makers and performers who made their mark in the wider world.

Everyone from Bob Geldof, Chrissie Hynde and Neil Tennant to Danny Baker, Caroline Coon, Julie Burchill, Barbara Ellen, Caitlin Moran, Miranda Sawyer and movie directors Cameron Crowe and Anton Corbijn (and even Michael Winner) cut their teeth on music magazines such as Melody Maker, New Musical Express, Rolling Stone, ZigZag and Smash Hits.

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First copy of Totally Wired is in!

I’m really jazzed about getting my hands on the first finished copy of Totally Wired, my history of the music press which is published by Thames & Hudson this autumn.

Designer Daniel Streat has done wonders with the day-the-world-turned-dayglo jacket concept and my choice of cover star Poly Styrene.

There are 60 or so illustrations, all magazines from my archive. The diversity reflects the content of the book, which covers the usual suspects – NME, Melody Maker, Rolling Stone – but will hopefully turn readers onto the unexpected and surprising, from Black Music and Collusion to WET, Ben Is Dead and Girlfrenzy.

Totally Wired is published in the UK and elsewhere on September 22 and in North America on November 29. It is available to order now from all good booksellers as well as my Bookshop page at uk.bookshop.org/shop/paulgorman or by clicking on this panel:

Post-Pistol – a timely look at Malcolm McLaren’s London at Fora Soho tonight

What with Pistol and all, it seems timely to discuss Malcolm McLaren’s place in the scheme of things so tonight journalist Helen Barrett and I will be in conversation at a London Society event about the late cultural iconoclast’s relationship with the city of his birth. Here is a selection of visuals from this evening’s presentation.

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Word In Your Attic: Around Malcolm McLaren in 10 objects

Tomorrow night (April 14) I was supposed to be appearing at London’s regular event Word In Your Ear, the live successor of the much-missed The Word magazine founded by publishing titans Mark Ellen and David Hepworth.

//Smash Hits, January 6-19, 1983//

In the era of social distancing Mark and David have come up with the online Word In Your Attic, the results of which are posted on Youtube. For the episode to coincide with the publication of my Malcolm McLaren biography they asked me talk about 10 objects relating to McLaren from my archive.

//Mayoral campaign materials, 2000//

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‘Excellent… exhaustive… never dull’: First reviews of The Life & Times of Malcolm McLaren

“With this book, Gorman convincingly moves away from the ossified image of McLaren as a great rock’n’roll swindler, a morally bankrupt punk Mephistopheles, and closer towards his art-school roots, his love of ideas”
Victoria Segal reviewing The Life & Times of Malcolm McLaren in the Sunday Times, April 5, 202

The first reviews of my Malcolm McLaren biography are carried today by Britain’s Sunday Times Culture section and in The New Review magazine of it’s broadsheet rival The Observer.

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‘Masterful and painstaking’: The Life & Times of Malcolm McLaren will be published on April 9

“Within the slippery divides between disciplines and media – fashion, art, music, interiors, commerce – one finds Malcolm McLaren, roaming and creating.”
Lou Stoppard in her essay in The Life & Times Of Malcolm McLaren

Disruption to the publication of a book is extremely small beer at a time when the COVID-19 pandemic has set the world in disarray, so I’m sanguine about the postponement of several events and signings which were due to occur around the publication of my biography The Life & Times Of Malcolm McLaren.

//The back of the book jacket features this 1976 portrait by photographer Joe Stevens//

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Romantic revolt to change our lives: George Cox catwalk show and in-conversation celebrating 70 years of creepin’ at Port Eliot next week

// In George Cox creepers: Malcolm McLaren, 430 King’s Road, January 1972. Photo: David Parkinson / Slowthai, Northampton, 2018. Photo: Ewen Spencer for Arena Homme + //

“Those blue suede shoes had a magical association that seemed authentic. They represented an age of desperate romantic revolt to change your life.”

Malcolm McLaren, notes on his life in fashion, 1997

I’m celebrating the 70th anniversary of the introduction of George Cox & Co’s first creeper at the Port Eliot Festival next week with Adam Waterfield, the fourth generation owner of the great independent British brand, and his son Alistair, a Central Saint Martins student and model who is very much involved in the family business.

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What did it mean to have an art school in every town and what can we learn by discovering their fate?

Gate detail, Lancaster art school. Photo: Matthew Cornford

There were more 150 art schools in this country in the mid-1960s. Most of them are now closed or absorbed into other institutions and the buildings repurposed, remodelled or demolished. What did it mean to have an art school in every town and what can we learn by discovering their fate?

Exhibition notes for The Art Schools Of North West England, 2018

I’m playing catch-up, having been distracted by a big project, but wanted to plug this great exhibition which is on at Liverpool’s prestigious gallery Bluecoat until March next year.

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‘The trouble-making and oppositional aspects of this show are what we do so well’: PRINT! Tearing It Up at Somerset House supported by Charles Russell Speechlys

British law firm Charles Russell Speechlys, which supports the exhibitions at Somerset House’s Terrace Rooms, has produced a short film about PRINT! Tearing It Up, the show which I have organised at the gallery with SH senior curator Claire Catterall.
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The PRINT! Mind Map: From A4 rough to 40 sq metre vinyl exhibit

//The PRINT! Mind Map currently in the Terrace Rooms of Somerset House. Photo: Doug Peters/PA Wire//

//First rough draft, February 2018//

One of the most popular elements of PRINT! Tearing It Up – the celebration of independent magazines currently at Somerset House – is the giant mind map of British publishing which occupies an entire wall in the Terrace Rooms gallery.

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