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Researching my archive during lockdown for a project has given me the opportunity to thoroughly assess individual publications, none more so than the 59th issue of underground paper IT, which hit the streets in early July 1969. This particular edition features a couple of small items which provide clues as to the countercultural activities at […]
Martin Stone hopped, pre-dawn, through the Cheshire street market, scavenging books. Winklepickers, tourniquet trousers, mildewed beret, bulging swagbag: Blind Pew impersonated by Max Wall. Cigarette grafted to trembling, prehensile fingers, he was an anthology of retro fashion. And in his wake there shimmered a vortex of gossip and, amazingly, goodwill… Iain Sinclair, The Independent, February […]
Hope you enjoy this selection of installation shots from the exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren, currently wowing visitors to Southampton’s John Hansard Gallery.
The opening of new exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren at the weekend was a great success.
DÉTOURNÉD PAINTING Intended for the public. Easy reading Collectors and museums, be modern If you have old paintings, do not despair. Keep your memories But detourne them So they correspond to your time Why reject the old [paintings] If one can modernize them? With a few brushstrokes Modernize your old culture Be up to date […]
Today David Thorp and I worked with the team at John Hansard Gallery on the first day of the installation of our forthcoming exhibition Eyes For Blowing Up Bridges: Joining the dots from the Situationist International to Malcolm McLaren.
Eyes For Blowing Up Bridges* is the title of the forthcoming exhibition about the creative interplay between a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of post-war alternatives.
Two of Malcolm McLaren’s t-shirts from the very first production run of I Groaned With Pain – the notorious text design produced with Vivienne Westwood in 1974 – will be featured in Eyes For Blowing Up Bridges, the exhibition I am co-curating with David Thorp at Southampton’s John Hansard Gallery this autumn. I Groaned With […]
Tonight I am hosting an event at London’s Victoria & Albert Museum: an ‘in conversation’ with Boy George about the importance and influence of popular culture’s greatest manipulator of visual identity, David Bowie.
The new Beatbooks catalogue returns Andrew Sclanders to his primary preoccupation with the creative outpourings of the American Beats and their fellow travellers.