Eyes For Blowing Up Bridges: Installation shots from radical art, beat + punk exhibition at John Hansard Gallery

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//Top: Anarchy Shirt designed by Malcolm McLaren + Vivienne Westwood, 1976. Worn by Sex Pistols acolytes Jordan (Pamela Rooke) and Simon Barker for performances and TV appearances by the group. Private collection. Above left: screening room for Paris Capital Of The XXIst Century, Malcolm McLaren, 2010; right: vitrines and monitors in gallery 2. Photos: Steve Shrimpton//

Hope you enjoy this selection of installation shots from the exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren, currently wowing visitors to Southampton’s John Hansard Gallery.

Continue reading Eyes For Blowing Up Bridges: Installation shots from radical art, beat + punk exhibition at John Hansard Gallery

‘Because of the economic crisis, people are trying to consume as fast as possible. Ideas are dead; there aren’t any to express the mood. Fashion is irrelevant’: Malcolm McLaren + SEX, November 1975

//Sex assistant Jordan, Gallery International, Vol 1, no 4.//

It’s unlikely that cities will shake or nations start to rock under the impact of Malcolm McLaren’s sexual revolution. A few people might die though.

Malcolm McLaren, at 30, is a mixture of entrepreneurial cultist, sexual evangelist, businessman, artist, fetishist and political philosopher; a psychotic visionary in the ephemeral subculture of the fashion world.

David May, Gallery International Vol 1 no 4.

In November 1975 – by which time his charges the Sex Pistols had just embarked on live performances – Malcolm McLaren was interviewed by journalist David May at 430 King’s Road, then in full bloom as radical retail venture SEX.

Continue reading ‘Because of the economic crisis, people are trying to consume as fast as possible. Ideas are dead; there aren’t any to express the mood. Fashion is irrelevant’: Malcolm McLaren + SEX, November 1975