PRINT! Tearing It Up opens at Somerset House

//PRINT! is staged in Somerset House’s Terrace Rooms; the exhibition’s graphic identity was created by Scott King. His distinctive fluoro pink logo is on the lightbox at the far end of room 1. Photo: Doug Peters//
//With my wife and PRINT! contributor Caz Facey, rock legend Jimmy Page and poet Scarlett Sabet at the private view this week//
//Each room has wall grids divided into subjects – this, the main wall in room 1, presents magazines expressing dissent and protest. Photo: Doug Peters//
//In the courtyard at Somerset House; socks courtesy Pavement Licker//
//Private view attendees Duggie Fields and Jarvis Cocker. Photo: Martin Green//

PRINT! Tearing It Up – the exhibition at central London’s Somerset House I have organised with the SH Trust’s senior curator Claire Catterall – is now open.

Continue reading PRINT! Tearing It Up opens at Somerset House

The Look and Vivienne Westwood: A question of attribution

VW-p85i
//Vivienne Westwood quoted on p85 of her new book written with Ian Kelly and published by Picador this month. This is also spoken in Westwood’s accent by the actress Paula Wilcox in the audiobook which has been published here and in the US//
The Look-p22 copy
//Westwood’s former partner Malcolm McLaren said this to me during a 1999 interview. Subsequently I quoted him on page 22 of my book The Look: Adventures In Rock & Pop Fashion, first published in 2001, second edition 2006//

Jenni Murray: You’ve said ‘clothes were politics long before fashion’. What did you mean by that?

Vivienne Westwood: I have no idea.

Jenni Murray: Was it something you said to Ian (Kelly) and now you’ve forgotten?

Vivienne Westwood: No…is that what it says in the book?

Jenni Murray: Yes

Vivienne Westwood: Well then, he might have got a misquote from somewhere.

Woman’s Hour, BBC Radio 4, October 14, 2014

P1150910

I respect Dame Vivienne Westwood’s achievements; she has been a significant figure in shaping our collective visual identity.

As someone who is driven to investigate and interpret visual culture, that is important to me. I dedicated a chapter and sections to Westwood’s contribution to fashion with and without Malcolm McLaren in the 2001 and 2006 editions of The Look: Adventures In Rock & Pop Fashion.

But she is ill-served by the sloppy new book Vivienne Westwood, recently published by Picador and written by actor/author Ian Kelly. Continue reading The Look and Vivienne Westwood: A question of attribution