‘Blowing up bridges so there is no way back’: Malcolm McLaren, Situationists + Sex Pistols remembered by Fred Vermorel in new exhibition catalogue
Considered as an artwork, a two-and-a-half year project, and in its own terms, McLaren’s Sex Pistols’ was as seminal and resonant as Picasso’s Guernica. Only this was a masterpiece made not of paint and canvas but of headlines and scandal, scams and factoids, rumour and fashion, slogans, fantasies and images and (I almost forgot) songs, […]