Rare footage to be revealed at Malcolm McLaren Night in Southampton tomorrow
Tomorrow (November 2) I am introducing a Malcolm McLaren film night at Southampton’s The Stage Door as part of the city’s Film Week.
Tag: Paris Capital of the XXIst Century
Eyes For Blowing Up Bridges: Installation shots from radical art, beat + punk exhibition at John Hansard Gallery
Hope you enjoy this selection of installation shots from the exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren, currently wowing visitors to Southampton’s John Hansard Gallery.
You are invited to drift… Map-style guide to Eyes For Blowing Up Bridges
The exhibition guide for Eyes For Blowing Up Bridges – which opens this Saturday (26th) at Southampton’s John Hansard Gallery – is in the style of a map, as a riff on the psychogeographic tendencies of the Situationists (maps produced by their figurehead Guy Debord are among our exhibits).
Installing our exhibition Eyes For Blowing Up Bridges: Joining the dots from the Situationist International to Malcolm McLaren
Today David Thorp and I worked with the team at John Hansard Gallery on the first day of the installation of our forthcoming exhibition Eyes For Blowing Up Bridges: Joining the dots from the Situationist International to Malcolm McLaren.
Found! The source of the Jerry Lee image in Let It Rock’s Killer Rocks On t-shirt
Let It Rock was digging in the ruins of past cultures that you cared about. It was giving them another brief moment in the sun. It wasn’t about doing anything new. It was an homage. It was nostalgia. Malcolm McLaren to Momus, 2002 Forty three years after its creation I can reveal the source of […]
Introducing first UK screening of Malcolm McLaren’s completed Paris: Capital Of The XXIst Century at The Performance Studio next week
McLaren opened up the frontiers between artistic and wider cultural attitudes by taking fashion and music out of their respective contexts and translating them into new formats that captured the wider popular zeitgeist. A closer look at his seemingly disarticulated, exuberant and streetwise oeuvre shows it to be consistent and, in its own way, profound. […]
Alchemy: Malcolm McLaren on Paris, Capital of the XXIst Century
Paris, Capital of the XXIst Century is a personal and subjective journey that began firstly by ambling through a century’s archive of thousands of cinema commercials about the city (its inhabitants, what it sells, how it looks…), secondly by gathering impressions (choosing what to exploit, covet and keep), jotting them down only when I returned […]