Don’t Knock The Rock: John E. Reed’s eternal image of exuberant Little Richard
In 1956 the Hollywood photographer John E. Reed took a series of promotional shots of the stars of DJ Alan Freed’s rocksploitation flick Don’t Knock The Rock.
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In 1956 the Hollywood photographer John E. Reed took a series of promotional shots of the stars of DJ Alan Freed’s rocksploitation flick Don’t Knock The Rock.
I saw Chuck Berry play live twice, and have written previously about the first time when, supported by David Bowie-endorsed revivalist rockers Fumble, he performed a truncated set at the Rainbow theatre in north London’s Finsbury Park in September 1973. The second time was frankly bizarre. He and Little Richard sat in with Paul Shaffer and his […]
//From top left: Chinese Communist Party pamphlet, 1971; McLaren in Let It Rock 1972; Proclamation by Engels and Marx, 1881; Title lettering, Belgian film poster, 1958// A year or so ago I established the source material for one of the first designs generated by Malcolm McLaren in the fashion partnership he conducted with Vivienne Westwood […]
//Front and back of Vive le Rock/Punk Rock Disco and the radical political and military texts used as source material for the design// There were T-shirts left over from the Wembley Rock & Roll revival festival in our cupboards in South Clapham; we had to do something with them. Sid Vicious liked them just the […]
Let It Rock was digging in the ruins of past cultures that you cared about. It was giving them another brief moment in the sun. It wasn’t about doing anything new. It was an homage. It was nostalgia. Malcolm McLaren to Momus, 2002 Forty three years after its creation I can reveal the source of […]
Yet another example of Malcolm McLaren’s astounding design talent is examined across a number of exhibits at the Let It Rock show, which opens at Copenhagen’s Bella Center on Sunday (August 3). In 1972 McLaren expanded his investigations into 50s pop design culture by producing a series of t-shirt designs celebrating the great American rock […]
It is relatively common knowledge among those interested in the careers of Malcolm McLaren and Vivienne Westwood and their series of extraordinary shops that they supplied clothes to the 1973 album Golden Hour Of Rock & Roll; Let It Rock at 430 King’s Road was clearly credited on the back of the record sleeve. But […]
I acquired my first underground press publications in the summer of 1972, at about the point when the sector was taking the nosedive from which it never recovered. Still, better late than Sharon Tate, as they say. Aged 12, my taste had been whetted by sneak peeks at an older brother’s collection of magazines when […]