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My essay on David Bowie’s style changes 1972-76 is now on Oooh Fashion!, SHOWStudio’s current celebration of the late performer which also includes rare footage of Nick Knight’s photo-shoots for the 1993 album Black Tie White Noise and the 2003 British Vogue session of Kate Moss in Bowie stagewear.
“It was a spectacular coup de théâtre – Kansai’s models came on moving. They leapt, ran, whirled like dervishes, danced, flung out their arms so that the brilliant colours meshed and merged into a kaleidoscopic cartoon of colour. Kansai himself, black-clothed and masked, moved across the stage like a Samurai warrior, tearing off layers and […]
It is of course very sad to note the death of David Bowie; 69 is too young, particularly for such an important figure in the pop cultural landscape with an evident abundance of creative contributions still to make to our lives.
Read my piece on the stylistic changes rung by David Bowie during the early 70s on The Guardian’s men’s fashion pages here. I discuss his fashion collaborations with Freddie Burretti, Daniella Parmar and Kansai Yamamoto and talk about the Pin-Ups suit from City Lights Studio designed by Derek Morton. Hope you enjoy.
Glam! The Performance Of Style – the exhibition which locates early 70s glam rock in the context of fine art and the interplay between “high” and mass culture – is opening at the Lentos Kunstmuseum in Linz, Austria later this month. I was a consultant to Glam!’s curator Darren Pih of Tate Liverpool, where the […]
On April 9 George O’Dowd and I will be in conversation at the V&A; the subject is David Bowie’s visual style.
The joy of writing about a subject as rich as Tommy Roberts is that research turns up an apparently limitless supply of fabulous material. Even the tangential stuff – such as this from my archive, a spread from a 1971 Sunday Times Magazine – gets me going.