//Wild youth: Scenes of abandon from Twist Drunk/Drunk Twist in Ark 33. Photos: Keith Branscombe//
//Cover, Ark 33, Autumn 1962. Photography: Keith Branscombe//
The publication of issue 33 of the Royal College of Art’s magazine ARK in the autumn of 1962 hit the moment in terms of the turbo-charging of contemporary youth culture.
//”This photograph was taken by Chris Morris in my bedroom at Commonwood Cottage in Downley village near High Wycombe in 1965 (when I swapped my mod life for university). I’m wearing an almost unwearably itchy John Stephen herringbone wool shirt. Apart from the Ricky Tick poster, I’d permanently pasted up two vintage London Transport posters I found in the attic. My old man wasn’t too pleased about that”. From http://johnpidgeon.com////Front cover of Pidgeon’s 1974 book//
I highly recommend John Pidgeon’s blog; Pidgeon is another of those unpindownable figures in the cultural landscape. His considerable talents have been expressed from music journalism and magazine publishing through roadie-ing for The Faces and composing songs with their recently departed and already much missed keyboard maestro Ian McLagan to commissioning stunning design work from Barney Bubbles and producing BBC documentaries and radio comedy (and in the process promoting the talents behind hit series such as Dead Ringers, Little Britain and The Mighty Boosh). Continue reading Highly recommended: The unpindownable John Pidgeon’s blog
Tomorrow (October 11) is the publication date of The Look Of London, my map collaboration with the pre-eminent modern guide-makers Herb Lester Associates.
“This map is a reminder that London, with all its individuality and character, is still very exciting,” writes Paul Smith in the foreword; he opened at 44 Floral Street WC2 in 1979.
“One day, ‘Carnaby Street’ could rank with ‘Bauhaus’ as a descriptive phrase for a design style and design legend.”
Ken and Kate Baynes, Design, August 1966.
Today is the seventh anniversary of Westminster Council’s dedication of a plaque in Carnaby Street to the late fashion retailer John Stephen, the 60s media darling dubbed “The £1m Mod” for his entrepreneurial success and flamboyant lifestyle (houses in Cannes and Milan, a white Alsatian named Prince who dined with him at his regular table at Mirabelle).
Continental Europe appears to have gone bananas for British popular culture this Jubilympics* summer, hence Franco-German arts channel ARTE’s new four-part series London Calling.
The programme was made by seasoned documentarist Simon Witter and looks to be a treat (particularly the intelligent use of archive material; great to see rare footage of John Stephen striding along Carnaby Street).