‘A somewhat oblique exposée of the Young Ones’: How Ark 33 hit the moment in the turbo-charging of 60s youth culture

//Wild youth: Scenes of abandon from Twist Drunk/Drunk Twist in Ark 33. Photos: Keith Branscombe//

//Cover, Ark 33, Autumn 1962. Photography: Keith Branscombe//

The publication of issue 33 of the Royal College of Art’s magazine ARK in the autumn of 1962 hit the moment in terms of the turbo-charging of contemporary youth culture.

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In praise of David ‘Piggy’ Worth: Tony Hall’s unpublished photographs of the great British collector, male model and stylist

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//David “Piggy” Worth and Judy Nylon at the back of the building which housed his basement flat, Edith Grove, World’s End, London, 1971. Photo: © Tony Hall. No reproduction without permission//
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//Worth in Ossie Clark snakeskin coat, Brompton Cemetry, west London, 1971. Photo: © Tony Hall. No reproduction without permission//
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//On West Pier, Brighton, 1971. Photo: © Tony Hall. No reproduction without permission//

“Piggy was a special dreamer” Judy Nylon

“Piggy got me my first job with Helmut Newton” Yvonne Gold

“He was an amazing character, funny, exuberant, outgoing, such fun to be with. Everybody wanted to be his friend” Tony Hall

Before David Gandy, before Nick Kamen, there was David “Piggy” Worth.

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//With Graeme Edge’s girlfriend at the Moody Blues’ drummer’s apartment, Bayswater, west London, 1971. Photo: © Tony Hall. No reproduction without permission//

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Highly recommended: The unpindownable John Pidgeon’s blog

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//”This photograph was taken by Chris Morris in my bedroom at Commonwood Cottage in Downley village near High Wycombe in 1965 (when I swapped my mod life for university). I’m wearing an almost unwearably itchy John Stephen herringbone wool shirt. Apart from the Ricky Tick poster, I’d permanently pasted up two vintage London Transport posters I found in the attic. My old man wasn’t too pleased about that”. From http://johnpidgeon.com//
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//Front cover of Pidgeon’s 1974 book//

I highly recommend John Pidgeon’s blog; Pidgeon is another of those unpindownable figures in the cultural landscape. His considerable talents have been expressed from music journalism and magazine publishing through roadie-ing for The Faces and composing songs with their recently departed and already much missed keyboard maestro Ian McLagan to commissioning stunning design work from Barney Bubbles and producing BBC documentaries and radio comedy (and in the process promoting the talents behind hit series such as Dead Ringers, Little Britain and The Mighty Boosh).
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The Look Of London: An illustrated guide to the city’s most influential fashion spots 1950-2000

Tomorrow (October 11) is the publication date of The Look Of London, my map collaboration with the pre-eminent modern guide-makers Herb Lester Associates.

“This map is a reminder that London, with all its individuality and character, is still very exciting,” writes Paul Smith in the foreword; he opened at 44 Floral Street WC2 in 1979.

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John Stephen: Progenitor of a custom-built design movement

“One day, ‘Carnaby Street’ could rank with ‘Bauhaus’ as a descriptive phrase for a design style and design legend.”

Ken and Kate Baynes, Design, August 1966.

Today is the seventh anniversary of Westminster Council’s dedication of a plaque in Carnaby Street to the late fashion retailer John Stephen, the 60s media darling dubbed “The £1m Mod” for his entrepreneurial success and flamboyant lifestyle (houses in Cannes and Milan, a white Alsatian named Prince who dined with him at his regular table at Mirabelle).

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Television: ARTE’s London Calling

Continental Europe appears to have gone bananas for British popular culture this Jubilympics* summer, hence Franco-German arts channel ARTE’s new four-part series London Calling.

The programme was made by seasoned documentarist Simon Witter and looks to be a treat (particularly the intelligent use of archive material; great to see rare footage of John Stephen striding along Carnaby Street).

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