Talking Barney Bubbles x Hipgnosis at Stroud’s Pop Up festival on March 26

I’m looking forward to appearing at Pop Up, the subcultures festival being held in the Gloucestershire town of Stroud next month.

I’ll be comparing and contrasting the work of Barney Bubbles with that of his rivals Hipgnosis in the 70s and 80s with Mark Blake, author of the new book about the British music design studio and Pop Up organiser and writer Ben Wardle.

//Front Cover, Peter Gabriel, Charisma Records, 1977. Design: Hipgnosis//

Continue reading Talking Barney Bubbles x Hipgnosis at Stroud’s Pop Up festival on March 26

For Jim Walrod – ‘Decoration is the danger, function is the idea’: The On 1st experiment in conceptual art retailing

** This post is dedicated to the New York design thinker and doer Jim Walrod, who has passed away. Just a couple of weeks ago I mentioned my intention to post about On 1st to Jim over dinner. Of course, he knew about the store but was excited to see what fresh info I might have turned up. I’ll write about Jim when I have collected my thoughts; wherever he is, I am sure Jim will join us all in the necessary proclamation: Fuck Trump**

//At the entrance to 1159 1st Avenue at 63rd was Sven Lukin’s two-tonne illuminated sign. Photo: Bert Stern//
//On 1st interior including displays of Roy Lichtenstein wallpaper and Gerald Laing plates. Photo: Bert Stern//

In conversation this summer, British artist Duggie Fields revealed to me that, during a sojourn in the US in 1968, he had been in line to work at photographer Bert Stern’s “architecturally mind-blowing” art store/publishing house On 1st in Manhattan’s east side.

Continue reading For Jim Walrod – ‘Decoration is the danger, function is the idea’: The On 1st experiment in conceptual art retailing

A bastion of splendid non-conformity: Brian Griffin’s photos of Duggie Fields at home in the late 70s

//Duggie Fields at home, late 1970s. © Brian Griffin. No reproduction without permission//
//Duggie Fields’ apartment, late 1970s. © Brian Griffin. No reproduction without permission//

Among my current projects is an article for Apartamento about the great British artist Duggie Fields and his flat in London’s Earl’s Court.

Continue reading A bastion of splendid non-conformity: Brian Griffin’s photos of Duggie Fields at home in the late 70s

In praise of David ‘Piggy’ Worth: Tony Hall’s unpublished photographs of the great British collector, male model and stylist

0017
//David “Piggy” Worth and Judy Nylon at the back of the building which housed his basement flat, Edith Grove, World’s End, London, 1971. Photo: © Tony Hall. No reproduction without permission//
_0097-edit-edit
//Worth in Ossie Clark snakeskin coat, Brompton Cemetry, west London, 1971. Photo: © Tony Hall. No reproduction without permission//
_0143-edit
//On West Pier, Brighton, 1971. Photo: © Tony Hall. No reproduction without permission//

“Piggy was a special dreamer” Judy Nylon

“Piggy got me my first job with Helmut Newton” Yvonne Gold

“He was an amazing character, funny, exuberant, outgoing, such fun to be with. Everybody wanted to be his friend” Tony Hall

Before David Gandy, before Nick Kamen, there was David “Piggy” Worth.

0023-edit
//With Graeme Edge’s girlfriend at the Moody Blues’ drummer’s apartment, Bayswater, west London, 1971. Photo: © Tony Hall. No reproduction without permission//

Continue reading In praise of David ‘Piggy’ Worth: Tony Hall’s unpublished photographs of the great British collector, male model and stylist

Another of Mr Freedom’s ‘monstrous oddities’: Sue + Simon Haynes’ giant blue fun-fur gorilla

//Mirabelle, May 2, 1970//

From the archive of the late Tommy Roberts, this image from British teen fashion magazine Mirabelle shows a particularly outré commission from fashion’s master of flamboyant retailing: a 7ft high rendition of a King Kong-style gorilla in blue fun fur created by the design team Sue and Simon Haynes.

Continue reading Another of Mr Freedom’s ‘monstrous oddities’: Sue + Simon Haynes’ giant blue fun-fur gorilla