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The work of artist Victor Burgin is undergoing re-appraisal in the light of two forthcoming exhibitions, one of which starts this week. London’s Richard Saltoun Gallery is marking the 40th anniversary of Burgin’s photo-text series UK76 by presenting the work in its entirety and in the form in which he showed his art in the […]
Considered as an artwork, a two-and-a-half year project, and in its own terms, McLaren’s Sex Pistols’ was as seminal and resonant as Picasso’s Guernica. Only this was a masterpiece made not of paint and canvas but of headlines and scandal, scams and factoids, rumour and fashion, slogans, fantasies and images and (I almost forgot) songs, […]
The catalogue for exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren is published on Friday (November 13).
Hope you enjoy this selection of installation shots from the exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren, currently wowing visitors to Southampton’s John Hansard Gallery.
The opening of new exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren at the weekend was a great success.
Today David Thorp and I worked with the team at John Hansard Gallery on the first day of the installation of our forthcoming exhibition Eyes For Blowing Up Bridges: Joining the dots from the Situationist International to Malcolm McLaren.
Eyes For Blowing Up Bridges* is the title of the forthcoming exhibition about the creative interplay between a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of post-war alternatives.
Two of Malcolm McLaren’s t-shirts from the very first production run of I Groaned With Pain – the notorious text design produced with Vivienne Westwood in 1974 – will be featured in Eyes For Blowing Up Bridges, the exhibition I am co-curating with David Thorp at Southampton’s John Hansard Gallery this autumn. I Groaned With […]
McLaren opened up the frontiers between artistic and wider cultural attitudes by taking fashion and music out of their respective contexts and translating them into new formats that captured the wider popular zeitgeist. A closer look at his seemingly disarticulated, exuberant and streetwise oeuvre shows it to be consistent and, in its own way, profound. […]
This handsome fold-out poster is for the exhibition Potential Architecture, which opens at London’s Ambika P3 on March 11.