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When he launched the small-format 32-page song sheet The Melody Maker in 1926, Tin Pan Alley music publisher Lawrence Wright sparked the media revolution that created the music press. This multi-million pound business eventually straddled the Atlantic and simultaneously proved a fertile breeding ground for generations of writers, photographers, film-makers and performers who made their […]
“With this book, Gorman convincingly moves away from the ossified image of McLaren as a great rock’n’roll swindler, a morally bankrupt punk Mephistopheles, and closer towards his art-school roots, his love of ideas” Victoria Segal reviewing The Life & Times of Malcolm McLaren in the Sunday Times, April 5, 202 The first reviews of my […]
Was the late Malcolm McLaren inspired by one of the greats of 20th century graphics in his creation of the astonishing signage for Sex, the fetishistic fashion boutique and incubator of punk rock he operated with Vivienne Westwood at 430 King’s Road in west London between October 1974 and November 1976?
Among the exciting exclusives at tomorrow’s event Be Reasonable Demand The Impossible will be a presentation providing a fascinating look inside Malcolm McLaren’s 1975/6 notebook, kept at the time when the Sex Pistols were starting out and he was running the boutique Sex at 430 King’s Road with partner Vivienne Westwood.
I am indebted to IG pal and fan of this blog Kjell Magnusson for this 1977 magazine photo of The Runaways’ guitarist Lita Ford presenting her I Groaned With Pain t-shirt for a raffle in Swedish teen title Poster. In the light of the revelations about the abusive nature of the group’s relationship with the […]
In an age clogged up with boil-in-the-bag popular music documentaries, I’m looking forward to Fred Burns’ Basically, Johnny Moped, about the unpredictable outsider who emerged via associations with The Damned and Chrissie Hynde during the post-punk period to strut and fret his hour upon the stage. Moped and his band – Dave and Fred Berk […]
As demonstrated by my recent post, the west London house of collector/gallerist Jonathan Ross became a hive for the art/boho/punk crowd flooding the capital in the 70s. Among the visitors were Johnny Thunders and Iggy Pop, who both left their marks in different ways.
//All photos (c) Jonathan Ross// Here are more previously unpublished images from London’s punk demi-monde. Coincident to receiving Joe Stevens’ photograph of the pre-Pretenders Chrissie Hynde and photographer Kate Simon in Malcolm McLaren’s Sex Pistols Nude Boy shirts, collector/gallerist/Londoner Jonathan Ross supplied me with this fabulous selection of Polaroids taken at his west London house […]
This photograph – taken by Joe Stevens in early 1976 in Fulham, west London – is featured in the exhibition Just Chaos!, which opens tomorrow (May 7) at Marc Jacobs’ Bleecker Street NYC bookstore BookMarc. The T-shirts worn by Simon and Hynde were among the first variants of a limited edition designed by Malcolm McLaren […]
This just in from Joe Stevens, following yesterday’s post about his new website: the story behind the photo with Johnny Rotten above, taken in London in 1978. We were at his Gunter Grove digs in Fulham. Malcolm (McLaren) had left his grotty leathers in my flat in NYC during the Sid and Nancy murder doings. […]