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I’m really jazzed about getting my hands on the first finished copy of Totally Wired, my history of the music press which is published by Thames & Hudson this autumn. Designer Daniel Streat has done wonders with the day-the-world-turned-dayglo jacket concept and my choice of cover star Poly Styrene. There are 60 or so illustrations, […]
Beginning in the early 1970s—as under-represented groups were demanding new forms of visibility following the emergence of political movements such as Black Power and the Stonewall Rebellion—a handful of British and American photo-driven alternative magazines came on the scene. The Face, i-D, Rags, Out/Look, and other new publications amplified marginalized voices, especially those of queer […]
I’m the featured guest on this week’s podcast from the world’s premier music journalism site rocksbackpages.com. I go way back with RBP founder and author Barney Hoskyns; he commissioned pieces from me when he was Mojo editor in the early 90s and we launched my music press book In Their Own Write, RBP and photographer […]
The launch of SHOWStudio’s new series PRINT features an interview with me by editor Lou Stoppard about my magazine archive. There is also a section dedicated to images from the archive, including front covers, spreads and ads.
//Magazines from my archive (clockwise from top left): Creem, August 1974; Grand Royal #3, 1995; Club International, August 1973; Harpers & Queen, October 1976// //After Dark, September 1974; Ben Is Dead #26, 1996// I’m one of the contributors to Print, writer Lou Stoppard’s forthcoming celebration of the great fashion and music magazines of the past […]