
Incredible to contemplate that today would have been my Dad’s 110th birthday.
Continue reading Philip Denis Gorman April 25 1903 – June 8 1980

Incredible to contemplate that today would have been my Dad’s 110th birthday.
Continue reading Philip Denis Gorman April 25 1903 – June 8 1980

As an addendum to my recent post about the staging of the very special late night London concert given by Ian Dury’s art-rock ensemble Kilburn & The High Roads in 1974, here’s the badge commissioned by manager the late Tommy Roberts to flag up the concurrent release of the group’s single Rough Kids.
Then a neglected pop promotional medium – badges were considered kids’ stuff; the sole prominent champion was Barney Bubbles, who produced a range to go with his branding of space rockers Hawkwind and pub-rock outfit Chilli Willi And The Red Hot Peppers – the pre-punk barbed wire logo button was conceived and executed by Simon Haynes, designer of the ambitious stage set for the Kilburns’ gig at the King’s Road Theatre.
Continue reading Rough Kids badge for Kilburn And The High Road (sic)
“It isn’t so much what’s on the table that matters, as what’s on the chairs”
Jonathan Swift, from a letter to his friend Esther Johnson, 1711

Ten Sitting Rooms was the title of a group exhibition curated by Jasia Reichardt at London’s Institute of Contemporary Arts in 1970. She organised a budget of £100 for each artist and gave them the brief of making a sitting room in spaces of either 15 x 18 feet or 12 x 24 feet.
I was alerted to the show’s existence by participant Simon Haynes, whose work I have been featuring here. Haynes’ Pop environment, which was produced in collaboration with his wife Sue, developed the themes and materials they used in the boardroom interior and furniture created earlier that year for Trevor Myles’ and Tommy Roberts’ boutique Mr Freedom at 430 King’s Road.
Fashion shoots were little known aspect of the practice of design studio Hipgnosis, whose co-founder Storm Thorgerson died on Thursday.
In line with the approach Thorgerson and his partner Aubrey Powell took with their raft of album sleeve commissions, the series of fashion spreads Hipgnosis produced for Club International in the early 70s were visually arresting and often high concept.
Read the story behind this obscure record sleeve design – for a single which failed to dent the Top 75 on release 30 years ago – over on the Barney Bubbles Blog.

As these rarely seen photographs show, when the subject of my last book the late Tommy Roberts took over management of Kilburn & The High Roads he sought to elevate them from the pub-rock scene by upping the visual ante on every front.

Tonight I am hosting an event at London’s Victoria & Albert Museum: an ‘in conversation’ with Boy George about the importance and influence of popular culture’s greatest manipulator of visual identity, David Bowie.

Continue reading Bowie Style tonight: In conversation with Boy George at the V&A

From the archive of the late Tommy Roberts, this image from British teen fashion magazine Mirabelle shows a particularly outré commission from fashion’s master of flamboyant retailing: a 7ft high rendition of a King Kong-style gorilla in blue fun fur created by the design team Sue and Simon Haynes.

Next month sees the opening of an exhibition of 53 collages tracking the fortunes of West Ham United FC over a season; they are all the product of expat football fan and music industry maverick Kosmo Vinyl.
The show’s title, Is Saitch Yer Daddy, is taken from 60s graffito adorning a wall near West Ham’s home ground. Residency in New York for many years hasn’t dampened the ardour for The Hammers of this figure who played key promotional and managerial roles for Graham Parker, Stiff Records, Ian Dury and The Clash.
Continue reading Is Saitch Yer Daddy: Collages by Kosmo Vinyl

Artist/designer Simon Haynes has allowed me access to some of the treasures in his archive. Over the next few weeks I’ll be dipping into it and presenting a selection of artworks, display items, stage sets and graphics he has created over the years.

Continue reading Graphics: Simon Haynes’ designs for City Lights Studio 1972