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//Left: Chuck Berry image isolated and bleached out. Right: As it appeared on the t-shirt, worn in this 1973 photograph of singer/songwriter Simon Fisher Turner. Photographer: Unknown// When they were setting up Let It Rock in 1971, Malcolm McLaren and his original partner in the boutique at 430 King’s Road – Patrick Casey – acquired […]
I’m saddened by the news of the death last week of the great Australian photographer Robyn Beeche.
//From top left: Chinese Communist Party pamphlet, 1971; McLaren in Let It Rock 1972; Proclamation by Engels and Marx, 1881; Title lettering, Belgian film poster, 1958// A year or so ago I established the source material for one of the first designs generated by Malcolm McLaren in the fashion partnership he conducted with Vivienne Westwood […]
At all times, my acts and my actions in life have stemmed from love or eroticism, as you like it. Pierre Molinier, The Shaman And Its Creatures Pierre Molinier, “the man and the painter, the genius and the pervert, the ‘lesbienne’ and the guns lover” is not an easy figure to pin down.
Derek Boshier is the next subject of the BBC strand What Do Artists Do All Day? – Zara Hayes’ film, which was shot in Los Angeles and shadows Boshier on his daily routine, will be screened at 10.30pm UK time on BBC Four next Monday (August 24).
Eyes For Blowing Up Bridges* is the title of the forthcoming exhibition about the creative interplay between a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of post-war alternatives.
Taking its title from a song on hippie outfit Quintessence’s debut album, Jo Gannon’s documentary Getting It Straight In Notting Hill Gate – as featured on the BFI’s website – captures the social churn in the west London neighbourhood at the start of the 70s.
//Left: Top in blue suede, JW Anderson for Loewe. Right: White cotton shirt and blue flared trousers, both Kenzo// Photographer Brian Griffin rarely fails to beguile, as evinced by these portraits from a series produced with stylist Emma Clifton for architectural/design/fashion magazine Disegno earlier this year.
From the SS16 menswear collections to the people flocking to Somerset House’s current celebration of The Jam, the aesthetic of “clean living under difficult circumstances” (as summarised by The Who’s first manager, Pete Meaden) is at one with what’s happening now in fashion… Read the rest of my piece – with quotes from Dylan Jones […]
This’ll put a spring in your step – Dee-lite performing at Wigstock in 1990, as posted by Hintmag. The second track is What Is Love (Holographic Goatee Mix). Check it out on Hintmag’s FB page. Here is the promo for Groove Is In The Heart: