A few months before Cosey Fanni Tutti upset the apple-cart as a member with Genesis Breyer P. Orridge of COUM Transmissions – the “wreckers of civilisation” who staged the Prostitution exhibition at London’s ICA – the performance artist/musician posed with another model for a 1976 issue of men’s magazine Club International.
These are just some of the research materials I have been sifting through for the last few weeks for a project with a fabulous partner coming in the New Year.
We’re doing all we can to apply a fresh and vital approach to the much worked-over turf of Punk in London in the mid-70s.
//Students Lorna Ough, Kit Powell, Manon Parry and Kristen Bullivant selling the No Future t-shirts and copies of The Art School & The Culture Shed at Central Saint Martins last week. Photo: Matthew Cornford//
Matthew Cornford, co-designer of the Malcolm McLaren art school tour t-shirt with John Beck, has sent another shot of the shirts being sold at last Friday’s event Be Reasonable Demand The Impossible.
The catalogue for exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren is published on Friday (November 13).
Director Danny Kleinman’s film about his 70s group Bazooka Joe and the night the Sex Pistols played their first gig as support act is available to view here and at GQ Online.
For GQ I have written an introduction discussing last Friday’s event Be Reasonable Demand The Impossible, where Kleinman’s film was premiered.
Asked by i-D’s Stuart Brumfitt to chose a favourite London fashion outlet I plumped for Shop, which was run by Pippa Brooks and Max Karie for a decade from the mid-90s in Soho’s Brewer Street (I mistakenly referred to it being at number 5 – as you can see in the photo below it was at number 4).
//Shop in the early 00s. Photo: Pippa Brooks//
Read my reasons and the rest of London’s Legendary Stores – which includes contributions from Nicola Formichetti, Stephen Jones and Mandi Lennard – here.
//David Bowie with Derek Boshier and his daughters Lily and Rosa, 1993. Courtesy Derek Boshier. No reproduction without permission//
To mark the publication of my piece about Derek Boshier’s creative collaborations with David Bowie in this month’s British GQ, here is a photograph taken when the rock star visited the artist and his family at his home outside London in the early 90s.
//Central Saint Martins student poster feature college head Jeremy Till////Discussing the McLaren/Westwood fashion legacy with writers Lou Stoppard and Dean Mayo Davies////Neville Brody’s logo for the 2016 celebration was unveiled for the first time at our event on Friday//
Our event Be Reasonable Demand The Impossible on Friday night was an out-and-out success, attended by hundreds from all walks of life, including students of London’s Central Saint Martins for whom it was primarily organised.
We were honoured that the London Mayor’s Office selected Be Reasonable to unveil Punk London, the year-long calendar of exhibitions, gigs and events in the capital in 2016.
More details will be forthcoming at the end of the month; the GLA’s ‘cultural partner’ Marcus Davey of Camden venue The Roundhouse gave a few hints and showed for the first time the logo designed by graphic artist Neville Brody.
//Brighton students sold Beck + Cornford’s No Future t-shirts////Page from McLaren’s mid-70s notebook shown as part of Paul Burgess’ presentation//
//Ben Reardon, Lou Stoppard + Dean Mayo Davies. Photos: Diane Pernet, Nik Hartley + SHOWstudio////Stills from Savages and Nostalgia Of Mud McLaren/Westwood catwalk collections, staged October 1981 and March 1982 respectively. Courtesy Malcolm McLaren Estate//
The cream of British fashion journalism – Dean Mayo Davies, Ben Reardon and Lou Stoppard – will be discussing the indomitable body of design work produced by Malcolm McLaren and Vivienne Westwood at tomorrow’s event Be Reasonable Demand The Impossible.
Among the exciting exclusives at tomorrow’s event Be Reasonable Demand The Impossible will be a presentation providing a fascinating look inside Malcolm McLaren’s 1975/6 notebook, kept at the time when the Sex Pistols were starting out and he was running the boutique Sex at 430 King’s Road with partner Vivienne Westwood.