“In graphics, in the music business at least, Barney pioneered the use of everyday objects in his work. He could see the design and the beauty in the apparently banal” Suzanne Spiro, artist
The Barney Bubbles exhibition Optics & Semantics at London gallery Rob Tufnell closes tomorrow evening; if you have a chance, do go along and enjoy the late graphic arts maestro’s unique celebrations of the mundane and workaday.
//John Rotten performing with the Sex Pistols at Andrew Logan’s Valentine’s Ball, February 1976 in a hybrid Sex t-shirt combining the images from the ‘Tits’ and ‘Naked Footballer’ designs. Note Jordan Mooney (far left), Luciana Martinez (third right), Derek Jarman (with camera) and Vivienne Westwood (far right). Photo: Joe Stevens. No reproduction without permission//
Last summer I spent a pleasant afternoon in the company of American academic Benjamin Court, who has been researching a dissertation entitled The Politics of Musical Amateurism, 1968-1981.
//Janette Beckman’s 1980 image of Jerry Dammers of The Specials is included with documentary and portrait photography by the likes of Jane Bown, Bill Brandt, Ian Macdonald, Colin O’Brien, Martin Parr and Jo Spence//
Curated by Christopher Bailey, creative director of sponsoring fashion brand Burberry, with Lucy Kumara Moore of bookshop Claire de Rouen and fashion/documentary photographer Alasdair McLellan, the exhibition Here We Are considers Britishness at this crucial juncture in our economic, political and social history.
//AC/DC Desk (with plug stool), Get Happy!! lightbulb poster, ‘Kill Time’ Stiff Records clock + Ian Dury Cocktail cabinet//
You wait years for a Barney Bubbles exhibition and then two come along in the space of a month.
On the heels of the mini-show of Barney Bubbles music designs at Fred Perry’s basement space in Covent Garden comes a different take on the work of the late graphics maestro.
//Jean Shrimpton in Mr Freedom Minnie Mouse top, Hans Feurer, Fancy Dressing, Nova, December 1970, with the original design on tracing paper by Refna. No reproduction without permission//
Exciting news: Elizabeth Hamey, who signs her work ‘Refna’, has granted me access to her amazing archive of work at the cross-hatches of art, design and fashion in the 1960s and 70s.
//Above and below: Screen grabs from the all-new George Cox website//
To mark the relaunch of the fifth-generation British rock’n’roll footwear brand George Cox, I have written an essay tracing the history of the company from the establishment by brewery worker George James Cox in 1906 to its welter of activities in the 21st century.
I’ve organised a small exhibition of artwork relating to designs used in the forthcoming Barney Bubbles x Fred Perry collaboration; it opens later this week at Fred Perry’s flagship London store.