DB Burkeman’s Art Sleeves: Album Covers By Artists avoids the usual suspects and contains many surprises

Among the many things the world doesn’t need now is another book of record covers, but DB Burkeman’s Art Sleeves, which is published today by Rizzoli, is something else entirely.

For once the publisher’s blurb is spot-on; this is “a tightly curated exploration” of record covers which challenge the distinctions between art and design, between object and product.

This means that there are many surprises in the book, and a minimum of the usual suspects.

Art Sleeves also contains a bonus in a series of artist spotlights and conversations featuring such exponents as Christian Marclay, INVADER, Ryan McGinley, Genieve Figgis  and Marilyn Minter.

And Barney Bubbles receives a mention as DB’s “personal design hero” in the introduction.

I recommend Art Sleeves highly. Order your copy here and follow Art Sleeves on Instagram here.

The Rebel Music man: Dave Hendley exhibition opens this week

dave_hendley_rebel_music_invite

I’m really looking forward to visiting the forthcoming exhibition of the photography of Dave Hendley, who died this summer.

img_6317
//Outer gatefold, Rebel Music, Trojan Records, 1979. Design: Uncredited//

Hendley is best known for the photos he took of the Jamaican music scene in the 70s, but he holds a special place for me as the man responsible for one of my favourite compilations, the double-LP Rebel Music, released by Trojan at the end of that decade.

Continue reading The Rebel Music man: Dave Hendley exhibition opens this week

LP artwork distilled, venue interiors re-appraised and video portraits of Ian Brown, Matt Johnson and Richard Strange at Peter Wilkins’ Lost In Music

60s, Van Morrison - Astral Weeks, Peter Wilkins, 2015
//Astral Weeks – Van Morrison, Peter Wilkins, 2015//
Hammersmith Apollo, Peter Wilkins, 2015
//Hammersmith Apollo, Peter Wilkins, 2015//

In the 21st century, when digital downloads displaced compact discs as the format of consumer choice, music went naked into the world, unadorned by design or packaging. Yet this in turn gave rise to vigorous rear-guard action in the growing appreciation of what was fast disappearing. As if from the dead, vinyl made a comeback and the fan in Wilkins places him in a key position to cogitate this phenomenon.
From my text for the Lost In Music catalogue

Continue reading LP artwork distilled, venue interiors re-appraised and video portraits of Ian Brown, Matt Johnson and Richard Strange at Peter Wilkins’ Lost In Music