Out and about with Totally Wired
My new book Totally Wired: The Rise & Fall of the Music Press is out in the UK, Europe, Australia and other countries, so I have been active on the promotional front.
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My new book Totally Wired: The Rise & Fall of the Music Press is out in the UK, Europe, Australia and other countries, so I have been active on the promotional front.
It’s always a delight to encounter fresh artworks by a favourite artist, and Derek Boshier’s print One from 1967 is no exception.
One of the exhibitions I’m most looking forward to visiting this autumn is London dealer Rob Tufnell’s presentation of the so-called “poster poems” produced by the late Christopher Logue.
When I first saw it I was questioning a lot of things, not least my adequacy. Things like inspiration, influences, references . . . where do things come from? Copying things—not as “homage’”or “pastiche”, but dying to get inside a thing. Inhabit it. Nostalgia too. Using machines. Colour. Systems. Perpetual motion. Automatism. Copying things. Graham […]
The industrious British designer/illustrator Kate Moross is celebrating the publication of her book Make Your Own Luck with a London exhibition surveying the impressive body of work she has assembled to date. I recommend the book highly, and not just because Moross gracefully thanked me for what little input I may have had. Also, as […]
I’ve been enjoying researching materials relating to the late photographer David Parkinson for a feature for GQ magazine, so thought I’d share some of the images I dug out of the Parkinson archive concerning the 70s King’s Road retro clothing store Acme Attractions. Parkinson’s position as fashion editor of Paul Raymond’s sophisticated soft-porn magazine Club […]
Best known as one of the founders of British design collective Tomato, Graham Wood chose a 1968 poster for underground magazine Oz as the wellspring for a series of 24 poster prints. I corresponded with Wood about the ways in which the original artwork- made by Barney Bubbles and his 60s design partner David Wills […]
The new Beatbooks catalogue lines up the seminal alongside the obscure, from complete sets of Oz, Ink, Gandalf’s Garden and Suck magazines and Time’s “Swinging London” cover story to Robert E. Brown’s The Psychedelic Guide To Preparation Of The Eucharist, LIFE’s July 1969 study of US communes and a rare poster for the Psycho Circus […]
Tomorrow I’m participating in the V&A study day on British design in the 60s with a talk about the development of graphics and poster art during the decade. I’m speaking at 2.30pm – more details here.
“People do love huge pieces of paper”. So runs the quote heading up a section in V&A curator Catherine Flood’s excellent overview British Posters: Advertising Art & Activism, published by the museum to coincide with its multifarious design celebrations this Olympic year. And it’s true. We do. Or we all did, when this vital form […]