David Bowie’s unwitting role in the transformation of 430 King’s Road from Too Fast To Live Too Young To Die to SEX

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//David Bowie recording the Diamond Dogs LP at Olympic Studios, Barnes, south-west London, January 1974 during his residency in Chelsea’s Oakley Street. Photo © Kate Simon//
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//Malcolm McLaren and Gerry Goldstein in front of the Too Fast To Live Too Young To Die facade, 430 King’s Road, London, summer 1973. © Malcolm McLaren Estate//
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//Malcolm McLaren in Too Fast To Live Too Young To Die designs, Chelsea, London, from New Musical Express, April 6, 1974 . Photo: © Pennie Smith//

It is a little known fact that David Bowie was an occasional visitor to 430 King’s Road when it was operating as Too Fast To Live Too Young To Die.

This manifestation of Malcolm McLaren and Vivienne Westwood’s revolutionary boutique  – which paid design tribute to the fetishistic studded leather attire of Britain’s early 60s Ton Up Boys and rockers and sold the cult clothing associated with 40s mobsters and Latino zoot suit rioters – succeeded the 50s outlet Let It Rock in the early spring of 1973, as noted at the time by the fashion writer Catherine Tennant in British Vogue.

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//From British Vogue, April 1, 1973//

Continue reading David Bowie’s unwitting role in the transformation of 430 King’s Road from Too Fast To Live Too Young To Die to SEX

Barney Bubbles designs go regional at the National Museum Cardiff + Ludlow Fringe Art Trail

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//A doozy: This point-of-sale design by Barney Bubbles for Elvis Costello & The Attractions’ 1980 LP Get Happy!! is among rare rock posters on show at Mod Lang in Ludlow. Photo: Paul Bradshaw//

The regions are where it’s at these days, so we are told, and naturally Barney Bubbles designs can be found in the thick of it.

Continue reading Barney Bubbles designs go regional at the National Museum Cardiff + Ludlow Fringe Art Trail

Malcolm McLaren in Witches trenchcoat on the steps of the British Museum 1983

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This portrait of Malcolm McLaren was captured among the columns outside the entrance to London’s august British Museum by Andy Rosen in 1983.

In the photograph taken during promotion of the Duck Rock album, which was released at the start of 1983, McLaren sported a rare trenchcoat design from the Witches collection he and Vivienne Westwood debuted on the catwalk that spring.

Continue reading Malcolm McLaren in Witches trenchcoat on the steps of the British Museum 1983