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My recent Rocketman post gave me cause to dig out my copy of the catalogue produced for the groundbreaking exhibition Fashion: An Anthology, staged by London’s V&A from October 1971 to January 1972.
Later this month I will be in conversation with British menswear legend Mark Powell at the V&A’s Sartorial Style day.
Chris Stephens, the Tate’s head of displays and head curator of modern British art, has organised for Derek Boshier’s 1962 painting to be hung at Tate Britain on London’s Millbank.
Years after concerns were raised about the authenticity of around half of the punk fashion pieces in the Metropolitan Museum Of Art Costume Institute collection, cleaning house has finally begun at the New York institution with the expulsion of two bondage suits purporting to have been original 70s designs by Malcolm McLaren and Vivienne Westwood. […]
There’s a nice story behind this portrait of the late fashion designer Thea Porter, whose talents are celebrated at the just-opened exhibition at London’s Fashion & Textiles Museum. During preparations for the exhibition and the accompanying book, the curator and fashion historian Laura McLaws Helms visited British artist Penny Slinger, who had made feathered masks […]
//Left: Poster, 30 x 20″, one of a series of four, for Generation X residency at The Marque, Soho, London, September 1977. Right: Poster, 60 x 40″, one of a series of five for Stiff Records package tour of UK, October/November, 1977. Design (c) Barney Bubbles Estate// New York’s Museum Of Modern Art is featuring […]
A cop-out? Or another step towards cleaning house at one of the most prestigious fashion collections in the world? Only time will tell but the reclassification of the status of more than 30 highly collectable and expensive punk garments in the New York Metropolitan Museum of Art’s Costume Institute collection signals a decline in confidence […]