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Images of the novelty t-shirt designs détourned by the late Malcolm McLaren for sale in Seditionaries in 1978 are rare, which is why this shot of Apollonia Van Ravenstein and Ara Gallant from a spread in a late 70s issue of L’Uomo Vogue is extra special.
On the collapse of their design partnership in October 1983 after showcasing of the collection Worlds End 1984 in Paris and London, Malcolm McLaren and Vivienne Westwood went their separate ways.
A few years back I came across Malcolm McLaren’s annotated copy of Indian Rawhide, the anthropologist Mable Morrow’s study of the folk art produced by Native American tribes which inspired the late cultural iconoclast in the conceptualising with his partner Vivienne Westwood of their Spring/Summer 1982 fashion collection Savage. McLaren obtained a copy of Morrow’s […]
Eight Young Photographers was the third exhibition to be held at the newly-opened Photographers Gallery at its original premises in Great Newport Street in London’s West End. The gallery opened in January 1971 with a group show entitled The Concerned Photographer featuring, among others, Robert Capa, and followed that by simultaneously staging three exhibits, including a display […]
I’m delighted to announce that my map The Look Of London – which teases out the intertwining of popular music and street style in our capital over five decades – has been reissued by groovy guide makers Herb Lester Associates.
Was the late Malcolm McLaren inspired by one of the greats of 20th century graphics in his creation of the astonishing signage for Sex, the fetishistic fashion boutique and incubator of punk rock he operated with Vivienne Westwood at 430 King’s Road in west London between October 1974 and November 1976?
One of the most pleasurable experiences of this summer was the August morning I spent amid the cool beauty of London’s “private palace of art” Leighton House Museum in the company of the extremely talented British poet Scarlett Sabet.
This is the book which inspired the late Malcolm McLaren to unite the design ideas he developed with Vivienne Westwood for their Autumn/Winter 1983 fashion collection Witches. At the time McLaren was completing his album Duck Rock, which was conceived as an ethnological travelogue and modelled on the LP series Dances Of the World’s Peoples released on the […]
Tomorrow I’m a guest of historian Amber Butchart at London’s National Film Theatre for a conversation and q&a about Punk fashion with her special invitee Jordan Mooney, SEX and Seditionaries superstar and inner member of the Sex Pistols circle. I’ve put together a presentation from my archive to run during our chat, including images of Jordan’s striking series […]
Next week I will be taking part in a panel discussion on the fashion legacy of the late cultural iconoclast Malcolm McLaren at London’s Institute of Contemporary Arts. The other participants in the chat – chaired by Young Kim of the Malcolm McLaren Estate – are Louis Vuitton menswear artistic director and McLaren/Westwood collector and […]