In praise of David ‘Piggy’ Worth: Tony Hall’s unpublished photographs of the great British collector, male model and stylist

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//David “Piggy” Worth and Judy Nylon at the back of the building which housed his basement flat, Edith Grove, World’s End, London, 1971. Photo: © Tony Hall. No reproduction without permission//
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//Worth in Ossie Clark snakeskin coat, Brompton Cemetry, west London, 1971. Photo: © Tony Hall. No reproduction without permission//
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//On West Pier, Brighton, 1971. Photo: © Tony Hall. No reproduction without permission//

“Piggy was a special dreamer” Judy Nylon

“Piggy got me my first job with Helmut Newton” Yvonne Gold

“He was an amazing character, funny, exuberant, outgoing, such fun to be with. Everybody wanted to be his friend” Tony Hall

Before David Gandy, before Nick Kamen, there was David “Piggy” Worth.

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//With Graeme Edge’s girlfriend at the Moody Blues’ drummer’s apartment, Bayswater, west London, 1971. Photo: © Tony Hall. No reproduction without permission//

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Nick Ebeling’s supercool ride into Dennis Hopper’s heart of darkness with ‘El Hombre Invisible’ Satya de la Manitou

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//Dennis Hopper and Satya de la Manitou photographed by Wim Wenders in Taos, 1978 (c) Wim WendersStiftung 2016//

Along For The Ride is the wild and suitably idisoyncratic documentary from LA-based artist Nick Ebeling about male friendship –  in particular the relationship between Ebeling’s cinematic hero Dennis Hopper and his right-hand man, “El Hombre Invisible” Satya de la Manitou – and the often fraught nature of film-making.

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//Satya de la Manitou in Along For The Ride//

With a score by Gemma Thompson of Savages and produced by Sheri Timmons, the core of Along For The Ride lies in stories of de la Manitou’s 40-year friendship with Hopper, as related to Ebeling over coffee in various LA diners.

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Death And The Lady: Nick Abrahams’ film for Shirley Collins’ first record in 38 years

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//Shirley Collins with hooden horses. Photo: Toby Amies//

“Shirley has a voice that seems to be in touch with the traditions of the past, but also the dark mystery that makes England so weird, wild and mesmerising, and it is these two aspects that I wanted to convey in the video.”
Nick Abrahams, 2016

I’m captivated by the magical film made by Nick Abrahams to accompany the Shirley Collins song Death And The Lady.

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She’s A Punk Rocker UK : An antidote to male musings on 1976 and all that

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You would literally paint the news on your t-shirt that day and became part of the news, part of the progress with your artwork and your music…the women in punk were doing that; their style was a demonstration of their visual art, about what they were, where they were at and what they believed in.

Caroline Coon, She’s A Punk Rocker UK

She’s A Punk Rocker UK – Zillah Minx’s 2010 celebration of British female non-conformity – is a fantastic antidote to the current male musings on 1976 and all that.

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Is That All There Is? Lindsay Anderson’s envoi to Jill Bennett + Rachel Roberts

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//”I know that up there they’ll be having a good laugh.” Lindsay Anderson//
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//Rachel Roberts + Jill Bennett//

This is from Lindsay Anderson’s final film Is That All There Is?,  the 1995 autobiographical documentary which included a celebration of the lives of his friends, the formidable actresses Jill Bennett and Rachel Roberts.

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