Invitation to the 1970 opening of Universal Witness in Fulham Road: Paul Reeves’ taste-making brilliance, George Hardie’s graphic excellence + David Bowie’s bippity-boppity hat…

//George Hardie’s design for card announcing the opening of Universal Witness at 167 Fulham Road on November 17 1970//

Here’s another treasure from the trove of Design magazines given to me by the designer Paul Walters; the invitation for the opening of Paul Reeves’ west London boutique Universal Witness in November 1970.

Continue reading Invitation to the 1970 opening of Universal Witness in Fulham Road: Paul Reeves’ taste-making brilliance, George Hardie’s graphic excellence + David Bowie’s bippity-boppity hat…

Read my essay From The Streets To The Stadium in the new Stone Island monograph Storia

I have an essay in the Stone Island monograph Storia which is published today by Rizzoli Books.

Edited by Eugene Rabkin of StyleZeitgeist and art-directed by the supreme Simon Foxton, Storia is an extremely handsome volume featuring texts by Angelo Flaccavento and Jian Deleon, as well as my piece, From The Streets To The Stadium, which traces the Italian label’s place in popular culture.

Storia is available from all good booksellers – a special edition has been published in a slipcase with a poster.

This is available from Stone Island stores around the world, but hurry; within a few hours of publication I’ve been hearing tales that it has sold out in certain territories.

Photos of book by Sabrina Tanzi.

Fashion: An Anthology – the brilliance of Cecil Beaton x Vern Lambert at the V&A in 1971

//Cover, Fashion: An Anthology catalogue, V&A, 1971//
//Frontispiece: a Beaton photograph of a model wearing a 1961 Balenciaga dress//
//Vern Lambert in Milan in the 80s. Photo: Alfa Castaldi//

My recent Rocketman post gave me cause to dig out my copy of the catalogue produced for the groundbreaking exhibition Fashion: An Anthology, staged by London’s V&A from October 1971 to January 1972.

Continue reading Fashion: An Anthology – the brilliance of Cecil Beaton x Vern Lambert at the V&A in 1971

Jasper: Memories of the London fashion label and a Barney Bubbles connection

//But Is It… ART, t-shirt design, Ian Harris for Jasper, 1979//

I’ve dug into collector and graphic artist Ian Harris’s rich archive again and turned up a brace of t-shirts he designed in the late 70s for Jasper, the eponymous London-based fashion label operated by entrepreneur Jasper Hamilton Holmes from showrooms in central London.

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Sartorial Style on Saturday: Talking about The Face, in conversation with Mark Powell, Samurai rogues + merchant dandies, Adam Murray on North, Roy Strong’s wardrobe and real men DO wear pink!

//I’ll be in conversation with Soho tailor Mark Powell at 2pm. Photo: Mark Powell//
//And talking about The Face from 3pm. This issue: Clinton McKenzie by Jamie Morgan/Ray Petri (Buffalo), June 1985 //

Sartorial Style is on this Saturday at the V&A and looks to be a humdinger.

The day of talks, q&as and presentations considers centuries of male style and elegance and also explores contemporary men’s fashion, bringing together curators, academics, photographers, writers and designers.

Sartorial Style kicks off with Real Men DO Wear Pink!, an investigation into masculine style up until 1800 by Susan North, the V&A’s curator of 17th & 18th Century fashion.

//Sir Roy Strong at the V&A, May 20, 1987. Photo: Peter Dazeley/Getty//

Continue reading Sartorial Style on Saturday: Talking about The Face, in conversation with Mark Powell, Samurai rogues + merchant dandies, Adam Murray on North, Roy Strong’s wardrobe and real men DO wear pink!