Long-awaited monograph Derek Boshier: Rethink/Re-entry to be published by Thames & Hudson in October

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//From Thames & Hudson’s July-December 2015 catalogue//

“As an artist Derek Boshier has never lost his sense of wonder at the world” – David Hockney

The publication date of Derek Boshier: Rethink/Re-entry – the monograph of the great British artist I have edited – is confirmed as October 5.

Published by Thames & Hudson with a preface by David Hockney, Rethink/Re-entry contains 300-plus illustrations, from student exercises in the mid-50s to current works including the cover, a new portrait of Hockney and chapter openers especially designed by Boshier for the project.

Continue reading Long-awaited monograph Derek Boshier: Rethink/Re-entry to be published by Thames & Hudson in October

Ms. Caroline Coon: Radical person recalls Pauline Boty’s My Colouring Book and the first time she heard Otis Redding and Wilson Pickett – at Derek Boshier’s Ladbroke Grove studio

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//From Radical People, Vol 1, No 2//

Great to see heroine Caroline Coon among the subjects/contributors to the second issue of Radical People, Reba Maybury’s celebration of quinquagenarian-plus non-conformists.

Continue reading Ms. Caroline Coon: Radical person recalls Pauline Boty’s My Colouring Book and the first time she heard Otis Redding and Wilson Pickett – at Derek Boshier’s Ladbroke Grove studio

‘Our assumptions of Pop have become narrow. That word needs to be shaken open a little bit’ Derek Boshier in International Pop at Walker Arts Centre, Minneapolis

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Over time our assumptions of Pop have become more narrow. That word needs to be shook open a little bit. That history needs to be displaced a little bit. To allow for the diversity you have to go back to a more open idea of what Pop could be.
Darsie Alexander and Ryan Bartholomew, curators, International Pop

Today’s New York Times features Derek Boshier’s 1961 painting Special K as part of the newspaper’s coverage of International Pop, the new exhibition which addresses the fallacy that the movement was the preserve of the US and Britain.

Continue reading ‘Our assumptions of Pop have become narrow. That word needs to be shaken open a little bit’ Derek Boshier in International Pop at Walker Arts Centre, Minneapolis

Back in Duke Street: Derek Boshier at Robert Fraser Gallery 1965 + Whitford Art Gallery 2015

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//Detail from 1965 showcard: Derek Boshier and 1965 works. Photo: Annette Green//
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//Card for Boshier’s show at the Fraser Gallery, March 30 – May 1, 1965. Design: David Cripps. Courtesy: Pace London//

Thanks to Pace London for providing scans of the showcard for Derek Boshier’s spring 1965 exhibition at Robert Fraser Gallery in Mayfair’s Duke Street.

Continue reading Back in Duke Street: Derek Boshier at Robert Fraser Gallery 1965 + Whitford Art Gallery 2015

A Strong Sweet Smell Of Incense: Derek Boshier at the Robert Fraser show

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//Sam Spade, Derek Boshier, 1966, on the back wall of this recreation of the office at Robert Fraser Gallery, Duke Street, London W1//

Derek Boshier’s 1966 work Sam Spade is given prominence in A Strong Sweet Smell Of Incense, the exhibition dedicated to the connoisseurship of the late art dealer Robert Fraser.

Boshier was a client until he foreswore painting for a decade or more in 1968. This was a particularly difficult period for Fraser, who was jailed over the infamous Redlands drug bust at Rolling Stone Keith Richards’ house the previous year.

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//From Pace’s exhibition guide. The work in the background looks to be another of Boshier’s from the Sam Spade period//

Boshier has recounted how he became so frustrated over Fraser’s unwillingness to pass on payments in the 60s that he and his friend, the poet Christopher Logue, once broke into the Duke Street gallery and retrieved works Fraser had refused to release in lieu.

Continue reading A Strong Sweet Smell Of Incense: Derek Boshier at the Robert Fraser show

Derek Boshier: Clash art guru + original punk rocker!

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//Daily Mail – Poem Of Hate, 1977. Ink drawing and newsprint, 55 x 75cm. © Derek Boshier, courtesy Flowers//
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//Drawing for CLASH 2nd Songbook, 1978. Ink on paper, 30.5 x 22cm. © Derek Boshier, courtesy Flowers//
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//Hi Consumers! Don’t Forget Nothing Lasts Forever, 1978. Ink and collage on paper, 46 x 54.9cm. © Derek Boshier, courtesy Flowers//
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//Drawing for CLASH 2nd Songbook, 1978. 33 x 22.5cm. © Derek Boshier, courtesy Flowers//

“Without hesitation, CLASH 2nd Song book is a masterpiece of graphic art”

Guy Brett, writer/curator

Interrogating materials for the Derek Boshier monograph has brought home the meshing of the artist’s sensibilities with punk in the 70s.

Continue reading Derek Boshier: Clash art guru + original punk rocker!