Paul Gorman

Boutiques

‘Because of the economic crisis, people are trying to consume as fast as possible. Ideas are dead; there aren’t any to express the mood. Fashion is irrelevant’: Malcolm McLaren + SEX, November 1975

//Sex assistant Jordan, Gallery International, Vol 1, no 4.//

It’s unlikely that cities will shake or nations start to rock under the impact of Malcolm McLaren’s sexual revolution. A few people might die though.

Malcolm McLaren, at 30, is a mixture of entrepreneurial cultist, sexual evangelist, businessman, artist, fetishist and political philosopher; a psychotic visionary in the ephemeral subculture of the fashion world.

David May, Gallery International Vol 1 no 4.

In November 1975 – by which time his charges the Sex Pistols had just embarked on live performances – Malcolm McLaren was interviewed by journalist David May at 430 King’s Road, then in full bloom as radical retail venture SEX.

Continue reading ‘Because of the economic crisis, people are trying to consume as fast as possible. Ideas are dead; there aren’t any to express the mood. Fashion is irrelevant’: Malcolm McLaren + SEX, November 1975

‘Pop culture’s one-man production line’ – Tommy Roberts book in new issue of GQ

Tommy Roberts book in GQ Sept 2012

The September 2012 issue of GQ features this David Parkinson photograph of the interior of Tommy Roberts and Trevor Myles’ Mr Freedom at 430 King’s Road.

One of a number of previously-unpublished photographs in Mr Freedom – Tommy Roberts: British Design Hero, this shot captures the extraordinary fit-out Myles and Roberts’ commissioned from pioneering East End design team Electric Colour Company.

Read my post about ECC’s achievements  – with interviews and many illustrations, still the only piece to be published anywhere about this important but sorely neglected group of British artist/designers – here.

Glam comes into focus: Karl Stoecker’s fashion shoot for Club International October 1972


Tucked away at the back of an issue of British soft-porn magazine Club International was a fashion shoot featuring clothing elements which denoted the crystallisation of the new art-directed glam aesthetic inaugurated by the release of Roxy Music’s first album a couple of months previously.

The photographer was Karl Stoecker, the New Yorker who had been resident in the UK since the mid-60s and was coming into his own with important contributions to Roxy’s visual identity across that LP and its successors For Your Pleasure and Stranded.

Continue reading Glam comes into focus: Karl Stoecker’s fashion shoot for Club International October 1972

Roots of the Cowboys t-shirt

MY SPECULATION HERE SPARKED A TRAIL TO THE TRUE SOURCE OF THE MAIN IMAGE: THE ARTIST/PHOTOGRAPHER JIM FRENCH, WHO DREW THE COWBOYS FOR A SERIES CALLED LONGHORNS IN 1969 (SEE LINK AT END OF THIS POST).

The late Malcolm McLaren said he could never remember the origins of one of the most potent designs to emanate from 430 King’s Road in its six-decade history as a fashion emporium: the Cowboys t-shirt.

Continue reading Roots of the Cowboys t-shirt