‘The impossibility of fair play in democratic society because of loneliness’: Emmett Grogan on To Tell The Truth

emmett2
//Emmett Grogan, contestant 2 on the CBS gameshow To Tell The Truth, 1972//

Emmett did enough, rest assured. He proved with his existence that each of us could act out the life of our highest fantasies. This was his goad and his compassionate legacy. Don’t minimise it or let yourself off the hook of his example by quibbling over details. Think about what you read, but more important, as Emmett would have said, “Dig yourself!”.

Peter Coyote, introduction to Ringolevio: A Life Played For Keeps, 1989.

I’m a recently converted disciple of Emmett Grogan.

I was turned on to Grogan’s epic meta-memoir Ringolevio by the persuasive pairing of beat music entrepreneur Kosmo Vinyl and writer Steven Daly when hanging out with them in a series of New York bookshops last year. By the time I was home a few days later I’d devoured Ringolevio’s 500 pages twice and still refer to it constantly. It is a masterpiece.

This morning this absolute delight appeared as if from out of the blue: Grogan – in his capacity as founder of The Diggers – promoting the newly published Ringolevio by participating in a 1972 episode of the guess-the-guest game show To Tell The Truth.

And naturally Grogan does tell the truth. Asked to differentiate between hippies and Yippies he caustically defines the latter group as attracted to “morons like Abbott Hoffman and Jerome Rubin”.

P1150581
//My copy of the New York Review Of Books 2008 paperback edition. Cover: Grogan on the steps of the San Francisco Municipal Courthouse, 1966. Photo: Bob Campbell/San Francisco Chronicle//
ringocover
//First edition, Little, Brown, 1972. Jacket: Larry Rivers//

Grogan also tells host Gary Moore – who praises the Larry Rivers cover of the first edition of Ringolevio – that he is working on a new book, entitled The Impossibility Of Fair Play In Democratic Society Because Of Loneliness.

Put-on or not, the sad fact is that this was just one of a number of Grogan’s projects which failed to see the light of day in the wake of Ringolevio. As Peter Coyote wrote in 1989: “Emmett’s road petered out at the end of the line of the Coney Island subway April Fools Day 1978 – where his body was found, dead of an overdose.”

Bob Dylan subsequently dedicated his album Street Legal to Grogan’s memory.

TTTT from Eric Noble on Vimeo.

If you don’t already own a copy do yourself a favour and buy Ringolevio.

As Coyote also wrote: “Think about what you read, but more important, as Emmett would have said, “Dig yourself!”.

As John Waters said: ‘If they don’t have books, don’t fuck ’em!’ Instead visit a great new website, The Librarian

librarian“If you go home with somebody, and they don’t have books, don’t fuck ’em!” John Waters

I can’t recommend Jennifer Taylor’s new blog thelibrarian.com highly enough.

Over dinner with her and her husband Nic in New York last year, JB revealed her plans for a website celebrating books. This, she felt, would offer an escape from the solipsism which engulfs most forms of web expression.

librarianbooks
//Photo: Courtesy thelibrarian.com//

So The Librarian showcases other people’s books, their collections and also the visual culture which surrounds reading and literacy. There are sections on great bookshops, libraries and private collectors, such as the West Coast artist Alia Penner, who I’m proud to say files a copy of my book Mr Freedom on a shelf alongside tomes on YSL, Kenzo and Maripol.

As one would expect from JB + Nic, it’s a fantastic-looking site, simultaneously substantial and diverting.

Visit The Librarian here.

 

Lunch with Messrs Hell + Riviera

photo 3-2
//Richard Hell + Jake Riviera, outside the Chelsea Arts Club, London, Feb 2014//

I’ve had few, if any, lunches as enjoyable as last week’s hook-up with Richard Hell and Jake Riviera for a piece I am writing for GQ magazine.

Richard and Jake first met outside CBGB in March 1976, having been introduced by photographer Roberta Bayley, who was working the club door that night.

With Dr Feelgood’s Lee Brilleaux, Jake had witnessed Richard in performance the night before with Johnny Thunders in the first – and soon to disintegrate – line-up of the Heartbreakers at Max’s Kansas City.

We dined less than half a mile away from Chelsea embankment, where Richard and the rest of his next band the Void-Oids spent a pretty miserable-sounding sojourn on a leaky boat when in the UK on tour with The Clash in 1978.

As Richard recounts in his fabulous memoir I Dreamed I Was A Very Clean Tramp, he and Jake have shared a series of adventures over the years, some of which I will be covering in my GQ feature which should be out in the summer.

I Dreamed I Was A Very Clean Tramp is out in paperback this week; buy here.

Derek Boshier: Rethink/Re-Entry – assembling the materials for long overdue monograph

3c0379fe8e4811e398be0a56c26576e4_8
//Exhibition cards and private view invitations, 1973 to date//

I’m assembling materials for Rethink/Re-Entry, the long-overdue monograph of the great British artist Derek Boshier I am currently editing.

The book takes its title from the early Boshier painting which inspired rock’s ultimate art-directed star Bryan Ferry to choose the name Remake/Remodel for the first track on Roxy Music’s game-changing debut LP.

rethink
//Rethink/Re-entry, oil on canvas, 1962//

Continue reading Derek Boshier: Rethink/Re-Entry – assembling the materials for long overdue monograph

Bravura + brilliance: Tommy Roberts, February 6 1941 – December 10 2012

P1150407
//Tommy Roberts, 1987. Photo: Christopher Clunn//

Sad to note the anniversary today of the death of Tommy Roberts, flamboyant design entrepreneur and subject of my book Mr Freedom.

P1150406
//Dedication (right) with (left on cover-flap) list of abiding interests (courtesy Eve Ferret + Mark Summerfield) and Brian Aris portrait//
P1150408
//Roberts opened Kleptomania with Charlie Simpson in Kingly Street, central London, in 1966//
P1150409
//Neon arch sales counter display designed by Jeffrey Pine for Mr Freedom, opened with partner Trevor Myles at 430 King’s Road in September 1969//

Here – with a selection of images from Mr Freedom – is an extract from an essay I have written about Roberts’ role in the development of design in Britain for Chris Breward and Ghislaine Wood’s book British Design: Tradition & Modernity, which will be published by Bloomsbury next year.

It is arguable that wider recognition for Tommy Roberts’ audacious innovations in the promotion of street style, furniture, gastronomy, home-wares, interiors and collectables was undercut by his refusal to observe the sensitivities of England’s post-war design world.

Roberts adopted an ebullient public persona to match his stout physique and broad Cockney accent. “I’m the most vulgar man in fashion, darlin’!” Roberts proclaimed to the no-less outrageous Sunday Times fashion editor Molly Parkin in the heyday of his Pop Art fashion and objects emporium Mr Freedom.

Continue reading Bravura + brilliance: Tommy Roberts, February 6 1941 – December 10 2012

Susie Bubble on Shop, Posh, Shopgirl + The Look’s first edition

ShopPoshPippaSusieBubble
//Susie Bubble pays tribute to Shop, The World According To…, Shop At Maison Bertaux, Posh, Shopgirl//

Rifling through her memories of Pippa Brooks and Max Karie’s Soho boutique Shop (which later mutated into The World According To… and then shifted base to Shop At Maison Bertaux), fashion blogger Susie Bubble has nice things to say about me and my work and includes in her selection of images the cover of the first edition of The Look.

This featured Libby Peder’s photograph of Pippa and James Dearlove, her musical collaborator in Posh, All About Eve Babitz and Shopgirl.

It was as Shopgirl that Pippa and James played the launch party, which was held across the road from Shop  at the club Astral and featured DJ sets by others in the book, including Jeff Dexter, Count Indigo, Dan Donovan + Don Letts and Jay Strongman.

thelooklaunch2001
//2001 invite to the party launching the first edition of The Look//

Read about that eventful night on THE LOOK blog.

Read Susie Bubble’s post Shopped-Out here.

I got to know Pippa through Shop and Posh, who I saw live a few times in the 90s. Sadly I missed this performance at Wembley Stadium on the same bill as Bon Jovi (is it me or is Pippa absolutely bricking it when she leans down to take a slug of water?):

Memories of Mick Farren: An entertaining afternoon in West Hollywood and a champagne-drenched night in Islington

//’Mick Passes Shirley, 1955′  Illustration for a feature about growing up in the 50s by Mick Farren, Club International 1975 by Hollyhead/NTA from an idea of George Hardie’s//

Growing up in London in the 60s and 70s with an interest in the counterculture, music and street politics meant that the shaggy-headed figure of Mick Farren loomed large on the landscape.
Continue reading Memories of Mick Farren: An entertaining afternoon in West Hollywood and a champagne-drenched night in Islington

Design by Barney Bubbles – who would have been 71 today – for Mick Farren’s 1977 Stiff Records EP Screwed Up

//7in sq paper sleeve, front: Screwed Up, Mick Farren, Stiff Records, 1977//
//7in sq paper sleeve, back: Screwed Up, Mick Farren, Stiff Records, 1977//

This is the sleeve designed by Barney Bubbles – would have been 71 today – for Screwed Up, the 1977 EP by the rabble-rousing writer and performer Mick Farren, who died at the weekend after collapsing onstage during a performance with his band The Deviants of their poem/song Cocaine & Gunpowder.

Continue reading Design by Barney Bubbles – who would have been 71 today – for Mick Farren’s 1977 Stiff Records EP Screwed Up